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    <title>New Media Literacies</title>
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    <id>tag:newmedialiteracies.org,2008-02-07://12</id>
    <updated>2010-07-19T04:50:35Z</updated>
    <subtitle>learning in a participatory culture</subtitle>
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<entry>
    <title>What is Distributed Cognition?</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/07/what-is-distributed-cognition.php" />
    <id>tag:newmedialiteracies.org,2010://12.3886</id>

    <published>2010-07-19T14:00:00Z</published>
    <updated>2010-07-19T04:50:35Z</updated>

    <summary><![CDATA[Our 6th webinar from our monthly series on the new media literacies held last week, What is Distributed Cognition? was a big success!&nbsp; I'd like to share with you the presentation we gave for those of you who couldn't attend.&nbsp;...]]></summary>
    <author>
        <name>Erin Reilly</name>
        
    </author>
    
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        <![CDATA[<i>Our 6th webinar from our monthly series on the new media literacies held last week, What is Distributed Cognition? was a big success!&nbsp; I'd like to share with you the presentation we gave for those of you who couldn't attend.&nbsp; This presentation was created and made possible through the collaboration of Henry Jenkins, Katie Clinton, Vanessa Vartabedian and myself.&nbsp; Over the past few weeks, we came together (via Skype and email conversations) to reflect on what was written in the white paper and to further explore what distributed cognition means and how to foster this new media literacy with educators and students.</i><br /><br /><div align="center">-------------------------------------------------------------------------------<br /></div><br />We define distributed cognition as the ability to interact meaningfully with tools that expand mental capacities.&nbsp; One of our past webinars focused on the new media literacy, collective intelligence -- the ability to pool knowledge and compare notes with others toward a common goal.&nbsp; Collective intelligence focuses on the ability of humans working together and is a complementary skill to the new media literacy, distributed cognition which can push our notion of pooling knowledge and expanding our capacity to include not just humans but the tools we use in sharing and expanding our knowledge.<br /><br />In having us talk more deeply about distributed cognition, I want to share that I think this literacy is different than the others in NML's list.&nbsp; For one, we saw that it wasn't a skill educators and students gravitated towards as an entry point in beginning to understand the new media literacies.&nbsp; Perhaps, its because distributed cognition is more of a philosophy of mind, meaning its ever present in something we practice, an unconscious practice that we're hoping more people become aware of.&nbsp; It's different than our other nmls, for example transmedia navigation that is more tangible and applicable.&nbsp; Including distributed cognition, as one of the new media literacies is our tipping of our hat to the education research that we think the new media literacies aligns with and a chance for you to better understand what cognition is in the 21st century. <br /><br />To better understand distributed cognition, the first thing to grapple with is --What is a Tool?&nbsp; In the 21st century, our minds might immediately go to the digital technology that has become an extension of ourselves and provides us with the ability to sample music, capture video, and edit media to socially construct meaning of the world.&nbsp; It is these tools that are talked about and are becoming the tools that we are comfortable with in shaping our idea of the world. &nbsp;<br /><br />However, if you look back in history, you can see that the tools of today were not available back then, and so in thinking of the definition of distributed cognition, we need to broadly define the word tool as a device used to communicate, perform, make or facilitate.&nbsp; These devices work in conjunction with our mental capacities, a combination of "hybrid systems" interacting with one another.&nbsp; These tools can take many forms of externalized memory.&nbsp; For example, a database holds a lot of information in one place and alleviates humans from having to remember or store all of it in their own brain.&nbsp; We all can't be Rain Man but we can work with databases to remember large quantities of information, and free our minds to be used for other things - such as asking the right questions when we are analyzing that data.<br /><br />Or we can use the tool to do work with us in gathering new information
- like Facebook or Wikipedia, or the periodic table.&nbsp; We use these
tools to expand the pool of knowledge we access. The ability to use
these tools becomes increasingly important as the amount of information
available to tap into becomes bigger and bigger! An example of this is
the spell checker.&nbsp; We work with the spell checker to check our
spelling.&nbsp; If we were to take everything the tool said at face value,
than we wouldn't be using it at its capacity and our spelling wouldn't
be right all the time, especially if you take into account the
different ways to spell words like their or two.&nbsp; The spell checker
shouldn't be seen as just a crutch; it can support our learning,
especially if it's used within writing that the child is engaged in.&nbsp;
It offers an intrinsic goal of aligning learning how to spell with
something the child is interested in. &nbsp;<br /><br />Henry Jenkins admits
that he is a terrible speller and has learned how to spell words after
the spell checker has caught his mistakes on many occasions.&nbsp; It's the
reminder of being shared this new information by the spell checker that
has him fix his spelling errors going forward and he's learning the
words in conjunction with the subjects he is passionate about. <br /><br />Language
is a central tool in intellectual activity.&nbsp; We can think of language
as a tool.&nbsp; Take for example a book you read.&nbsp; I'm currently reading
Harry Potter to my son who is decoding and making sense of the story
through performing as Harry Potter in the backyard as he makes up his
own wand tricks or draws pictures of quidditch matches.&nbsp; This sense of
play helps him to better understand the stories we read together.&nbsp; Or
you can look at the millions of young fans who've joined communities,
like <a href="http://fictionalley.org/">FictionAlley</a> to chat in
detail about every character, and who have written fan fiction to
extend the stories of many scenarios in Harry Potter.&nbsp; All of this
doesn't happen in isolation. It is a cultural and social practice that
uses the delivery technologies available today to be understood and
remixed by others.&nbsp; <br />]]>
        <![CDATA[<br /><a href="http://english.fas.nyu.edu/object/LisaGitelman.html">Lisa Gitelman</a>
offers a model of media that works on 2 levels. 1) The Tools that
enable communication, like a television and 2) the Protocols, which are
the social and cultural practices, that grows up around it.&nbsp; These
protocols include the shifting content and the changing audience.<br /><br />Do you own one of these tools?<br />•&nbsp;&nbsp; &nbsp;Record player<br />•&nbsp;&nbsp; &nbsp;Radio<br />•&nbsp;&nbsp; &nbsp;Still Analog Camera - like a Polaroid<br />•&nbsp;&nbsp; &nbsp;VHS<br /><br />If so, how are you using these tools? &nbsp;<br /><br />Are
you using them with their original intent (such as a record player is a
place to listen to music) or have you looked at today's social and
cultural practices and shifted the content with the changing audience.&nbsp;
<a href="http://techtv.mit.edu/collections/newmedialiteracies:1000">DJs</a> sampling music with the record player is an example of the tool taking on new protocols.<br /><br />I
don't think that when the Internet began, they foresaw how people use
it today.&nbsp; It's those that used distributed cognition and asked the
right questions to encourage new protocols to emerge, like social
networking, and new audiences, like <a href="http://techtv.mit.edu/collections/newmedialiteracies:1044">Cosplayers</a>,
to find their niche in this delivery mechanism.&nbsp; So as teachers, a key
attribute to foster is to look at the tools that you have available and
ask new questions on how they can be used to meet your learning
objectives.&nbsp; But this doesn't have to reside solely on the teachers,
What do you think would happen if you offered your students a tool and
ask them what they would do with it without a pre-determined learning
outcome?<br /><br />As new tools develop, society shifts to include these
new tools to tell new stories; and yet the old tools remain and take on
new purposes than what they originally were for.&nbsp; The medium that tells
the story may shift and the audiences that participates in that medium
also shifts... so it is in our classrooms similar with new tools and how
we engage our audience, the students, in these new practices.<br /><br />But
distributed cognition doesn't just use language as a tool.&nbsp; Using tools
allows us to look at bigger problems and expand our knowledge because
we now have new capacities to do things that were not available to us
before.<br /><br />Are you wearing a watch? &nbsp;<br /><br />You might not realize
this because it is second nature to us now, but telling time is a form
of distributed cognition.&nbsp; How many of you are wearing a digital watch
versus an analog watch where you have to know how to read the clock
hands? <br /><br />Before we had clocks, people still knew the time of
day.&nbsp; Perhaps it wasn't exact as we have it now, down to the
millisecond but through reading the sun and having sundials, they knew
if it was mid-day or evening.&nbsp; The watch, whether it's the clock on our
computer or the watch on our wrist or because our favorite television
program is on tells us the time and we believe it.&nbsp; We take it at face
value and we don't consider the cognition that is happening in that
tool to keep track of that process for us.<br /><br />Do any of you know <a href="http://www.ted.com/talks/ken_robinson_says_schools_kill_creativity.html">Ken Robinson</a>,
he often speaks at Ted and he tells this great story about his 20-year
old daughter who doesn't understand why anyone would wear a watch, it
only does one thing - tells time.&nbsp; Think about the young people in your
life ...do they wear a watch?&nbsp; More importantly, when they ask what time
it is in class, do they ever look up at the clock on the wall?&nbsp; There
are so many ways now to find out the time of day ...it's often embedded
into many of the new tools that we have at our fingertips.&nbsp; This
understanding of what time it is becomes second nature because there
are so many means of gaining this knowledge. &nbsp;<br /><br />As I was thinking
through this presentation, I decided to ask my son, what time it was?&nbsp;
On his own, he knew to just read the digital time on my computer, but
then I asked him to read the watch on my wrist and he didn't understand
why I was showing him that way when he could gain the information
another way.&nbsp; So much for that watch I bought him for Christmas, I
don't think he'll ever want to wear it.&nbsp; But should I be upset that he
might not learn how to read an analog clock? Here is a new example of a
shift in our culture.&nbsp; New tools have given way to letting go of old
tools - and that thinking is still being done for us by a tool.<br /><br />There's
a healthy, on-going debate that relates to distributed cognition.
People who study distributed cognition are not technological
determinists nor social determinists. They're interested in what
cognition is. In all versions of the theory it is about how people and
tools act together to accomplish thinking and doing. The debate for
them is in whether the "essence" of cognition is solely in people's
heads or whether it is actually *in* the integrated brain-body-world
systems of extended processing, including combinations of thinking with
our brain, physical gestures, our relationship with others and the
objects we use.<br /><br />When I joined NML, I came because in my role as
a practitioner, I had gotten to a point where when I created new ways
to engage children in their learning, it worked and they loved it.&nbsp; I
knew using social media as a tool for learning was powerful but I
wanted to better understand why it was working.&nbsp; In taking up the new
media literacies, distributed cognition was not one that I actually
understood at first.&nbsp; It was one that I had to grapple with over time.&nbsp;
But having done that, I think that this new media literacy is part of
answering the why in my initial questions that put me on this track in
my career.<br /><br />This is a list of guiding ideas for how NML uses the term, distributed cognition:<br /><br /><ul><li>Technologies don't change how we think; it's how we use technologies that changes how we think.&nbsp; <br /></li></ul>McLuhan
notes, technologies are often put out before they are thought out and
thus they can have unintended consequences.&nbsp; These consequences can
also be good, especially when people see beyond the original intent of
a tool and use it for new benefits to humanity. &nbsp;<br /><br /><ul><li>Even
when technologies can do many things, it's humans who are at the helm
and who need to take responsibility for their actions.&nbsp; <br /></li></ul>At
NML, we worry about the tendency to make causal claims about how
technologies change how we think.&nbsp; It bothers us when we read articles
that say technology makes us dumber, makes us more violent, and so
forth -- including <a href="http://www.huffingtonpost.com/2010/05/09/obama-ipad-xbox-turn-info_n_569289.html">Obama's recent mistake</a>
in his address to students graduating. I think right now there is a far
greater tendency to exaggerate the impact of technology than to
under-estimate it. Humans for a range of reasons want to deny their own
agency and accountability for their actions where technologies are
concerned.<br /><br /><ul><li>Human nature is dynamic; as we act within new sorts of extended networks of people and tools, human nature, itself changes. <br /></li></ul>Looking
at the history of storytelling showed that what it is to be human can
be qualitatively different in different eras and tools play a key role
in enabling change (always keeping in mind that it is how humans use
the tool that matters).<br /><br /><ul><li>We need to resist a humanizing of technologies; machines have capacities, not minds. <br /></li></ul>Technologies
do have agency though they have capacity only in regards to what a
human does with it.&nbsp; This idea is the one we most debate internally at
NML.<br /><br /><ul><li>Think holistically and be aware of the entire system.&nbsp; <br /></li></ul>Work to identify and understand everything that is contributing to the process of thinking.<br /><br /><i>Participants
in the webinar added to the discussion and I encourage you to listen to
the archived recording in Elluminate to hear the whole discussion that
happened.&nbsp; Also, feel free to pass this link along to others: <a href="https://sas.elluminate.com/p.jnlp?psid=2010-07-15.1632.M.ABCA45F9F0C0248640F8705DA5109D.vcr&amp;sid=voffice">https://sas.elluminate.com/p.jnlp?psid=2010-07-15.1632.M.ABCA45F9F0C0248640F8705DA5109D.vcr&amp;sid=voffice</a>. <br /><br />We
hope the above has sparked your interest.&nbsp; Please join us in furthering
the conversation. The Live Chat Follow-up to this session will be
tomorrow, this Tuesday, July 20th, from 4-5PM EST / 1-2PM PST. During
this time we'll focus our discussion on the three core concerns NML has
identified as the participation gap, the transparency problem and the
ethics challenge - specifically in relation to the practice of
distributed cognition in education. <br /><br />So, please join us for this session:<br /><a href="https://sas.elluminate.com/site/external/launch/meeting.jnlp?sid=voffice&amp;password=M.0D40B502DA193CDA7C5579F7D8173A">https://sas.elluminate.com/site/external/launch/meeting.jnlp?sid=voffice&amp;password=M.0D40B502DA193CDA7C5579F7D8173A </a></i>]]>
    </content>
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<entry>
    <title>Transmedia Education: the 7 Principles Revisited</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/06/transmedia-blog-1.php" />
    <id>tag:newmedialiteracies.org,2010://12.3885</id>

    <published>2010-06-24T14:00:00Z</published>
    <updated>2010-06-24T16:30:26Z</updated>

    <summary>Last week, I participated in one of the ongoing series of webinars for teachers which is being conducted by our Project New Media Literacies team. The series emerges from an Early Adopters Network we are developing with educators in New...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
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        <![CDATA[Last week, I participated in one of <a href="http://newmedialiteracies.org/blog/2010/02/new-media-literacies-announces.php">the ongoing series of webinars for teachers</a> which is being conducted by our Project New Media Literacies team. The series emerges from an Early Adopters Network we are developing with educators in New Hampshire to drill down on the skills we identified in our white paper for the MacArthur Foundation and to think through how teachers in all school subjects and at all levels can draw on them to change how they support the learning of their students. Vanessa Vartabedian is the coordinator who has been running this series. Each month, they focus on a different skill. This month's focus was on Transmedia Navigation. The webinars are open to any and all participants and are drawing educators from all over the world. The webinars are also available after the fact via podcast. The Transmedia Navigation discussion involved not only some remarks by me but als
o a conversation with Clement Chau from Tufts University and Mark Warshaw from the Alchemists who has developed transmedia content for <em>Smallville, Heroes</em>, and<em> Melrose Place</em>, among other properties.<div><br /></div><div>"<a href="http://projectnml.ning.com/">Our Ning site</a> is where our community of educators are exchanging ideas and trying out resources. You simply need to sign-up and fill out a short profile to access the <a href="http://projectnml.ning.com/page/webinars-1">schedule of upcoming webinars</a>, as well as links to the <a href="http://projectnml.ning.com/page/webinar-recordings">archived recordings</a> for previous webinars."&nbsp;</div><div><br /></div><div>The focus of transmedia navigation offered me a chance to think a bit more deeply about what it might mean for us to produce transmedia education and I thought I  would share some of those insights with you.</div>]]>
        <![CDATA[Let's start with some first principles:&nbsp;<div><br /></div><div>Transmedia needs to be understood as a shift in how culture gets produced and consumed, a different way of organizing the dispersal of media content across media platforms. We might understand this in terms of a distinction I make between multimedia and transmedia.  Multimedia refers to the integration of multiple modes of expression within a single application. So, for example, an educational cd-rom a decade or so ago might combine text, photographs, sound files, and video files which are accessed through the same interface. Transmedia refers to the dispersal of those same elements across multiple media platforms. So, for example, the use of the web to extend or annotate television content is transmedia, while the iPad is fostering a return to interest in multimedia.&nbsp;</div><div><br /></div><div>Multimedia and Transmedia assume very different roles for spectators/consumers/readers. In a multimedia application, all the readers needs to do is click a mouse and the content comes to them. In a transmedia presentation, students need to actively seek out content through a hunting and gathering process which leads them across multiple media platforms. Students have to decide whether what they find belongs to the same story and world as other elements. They have to weigh the reliability of information that emerges in different contexts. No two people will find the same content and so they end up needing to compare notes and pool knowledge with others. That's why our skill is transmedia navigation - the capacity to seek out, evaluate, and integrate information conveyed across multiple media.&nbsp;</div><div><br /></div><div>The push for transmedia is bound up with the economic logic of media consolidation. Yet, there is a push to transform this economic imperative into an aesthetic opportunity. If entertainment experiences are going to play out across multiple platforms, why not use this principle to expand and enrich the experience which consumers have of stories? Why not see transmedia as an expanded platform through which storytellers can deploy their craft? As we think about transmedia in the classroom, there are several key justifications/motivations for integrating it into our learning and teaching practices.&nbsp;</div><div><br /></div><div>First, as modes of human expression expand and diversify, then the language arts curriculum has to broaden to train students for these new forms of reading and writing. If many stories are going to become transmedia, then we need to talk with our students about what it means to read a transmedia story and as importantly what it means to conceive and write  a transmedia story. This is closely related to what Gunther Kress talks about in terms of multimodality and multiliteracy. Kress argues that we need to teach students the affordances of different media through which we can communicate information and help them to foster the rhetorical skills they need to effectively convey what they want to say across those different platforms.&nbsp;</div><div><br /></div><div>I've had good luck at getting students to think in these terms through assignments which ask them to propose ways of translating an established story into a new medium - for example, translating a novel or film into a computer game. This practice requires them to develop critical skills at identifying the distinctive features of specific stories and worlds and it requires them to think about the affordances and expectations surrounding other media.<a href="http://henryjenkins.org/2007/01/coming_in_january_the_sony_gam.html"> Check out my earlier blog post on this practice.&nbsp;</a></div><div><br /></div><div><a href="http://henryjenkins.org/2007/01/coming_in_january_the_sony_gam.html"></a>
As educators, we need to model the effective use of different media platforms in the classroom, a practice which would support what Howard Gardner has told us about multi-intelligences. In this case, I am referring to the idea that different students learn better through different modes of communications and thus the lesson is most effective when conveyed through more than one mode of expression. We can reinforce through visuals or activities what we communicate through spoken words or written texts. Doing so effectively pushes us to think about how multiple platforms of  communication might re-enforce what we do through our classrooms.&nbsp;</div><div><br /></div><div>Some will object that this skill takes a mode of commercial production as a model for what takes place in the classroom. <a href="http://henryjenkins.org/2010/05/why_participatory_culture_is_n.html">Didn't I note here just a few weeks ago </a>the dangers of talking about "learning 2.0" because it confuses a business plan  for a pedagogical approach. I think we need to be careful in this regard and if it were only <em>Pokemon</em> or <em>Lost</em> that operated according to transmedia principles, I might be much slower to advocate integrating these same principles into our teaching.</div><div><br /></div><div>But here's the thing: Obi-Wan Kenobi is a transmedia character, so is Barrack Obama. In both cases, readers put together information about who this character is and what he stands for by assembling data that comes at us from a range of media platforms. In such a world, each student in our class will have had  exposure to different bits of information because they will have consumed different media texts. As a result, one child's mental model of Obama may include the idea that he was not born in the United States, that he is a Moslem, that he is a socialist, or what have you, and we need some way of communicating across those mental models, we need a way of understanding where they came from, and we need to help students expand the range of media sources through which they search out and assess information about what's happening in the world around them. To some degree, teachers emphasis  similar skills when they tell students to seek out multiple sources when they write a pa
per, yet often, they mean only multiple print sources and not sources from across an array of different media. All of this suggests to me that we need to make the process of transmedia navigation much more central to the ways we teach research methods through schools.&nbsp;
</div><div><br /></div><div>Vanessa asked me to share with the group the <a href="http://henryjenkins.org/2009/12/the_revenge_of_the_origami_uni.html">Seven Principles of Transmedia Entertianment </a>which I presented through this blog last fall and suggest how they might relate to learning. I wanted to express some cautions about this exercise. Transmedia Storytelling is one of a range of transmedia logics, which might also include transmedia branding, transmedia performance, and transmedia learning. There is sure to be some overlap between these different transmedia logics, but also differences. I don't doubt that some principles carry over but we need to keep in mind that there may also be some core principles for transmedia teaching/learning which will not be explored if we simply try to adopt what we know about transmedia entertainment for this space. I hope that this blog can start a conversation which helps us to identify other principles which are specific to the learning domain.</div><div>&nbsp;

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="7 principles.jpg" src="http://henryjenkins.org/7%20principles.jpg" width="624" height="368" class="mt-image-none" style="" /></span></div><div><br /></div><div><span class="mt-enclosure mt-enclosure-image" style="display: inline;"></span>


Here goes.&nbsp;</div><div><br /></div><div><u>Spreadability vs. Drillability</u> Daniel Thomas Hickey wrote a series of posts (<a href="http://newmedialiteracies.org/blog/2009/03/if-it-doesnt-spread-its-curren-1.php">Part One</a>, <a href="http://newmedialiteracies.org/blog/2009/03/if-it-doesnt-spread-its-curren-3.php#more">Part Two</a>)  which explore how the circulation of educational media might be  described and improved by our model of spreadability. They are worth checking out.</div><div><br /></div><div>But for the moment, let's think of this in a somewhat broader way. Spreadability refers to a process of dispersal - to scanning across the media landscape in search of meaningful bits of data. Drillability refers to the ability to dig deeper into something which interests us. A good educational practice, then, encompasses both, allowing students to search out information related to their interests across the broadest possible terrain, while also allowing students to drill deep into something which matters to them. This requires us as educators to think more about motivation - what motivates students to drill deeper - as well as class room management - how can we facilitate their capacity to dig into something that matters to them.
&nbsp;</div><div><span class="Apple-style-span" style="text-decoration: underline;"><br /></span></div><div><u>Continuity vs. Multiplicity</u> The media industry often talks about continuity in terms of canons - that is, information which has been authorized, accepted as part of the definitive version of a particular story. Education has often dealt in the range of canon - not only the canon of western literature which deems some books as more worth reading than others but also the structures of disciplines and standards which determine what is worth knowing and how we should know it.</div><div><br /></div><div>Multiplicity, by contrast, encourages us to think about multiple version - possible alternatives to the established canon. So, for example, <a href="http://website.education.wisc.edu/kdsquire/dissertation.html">Kurt Squire </a>in his work on adapting <em>Civilization III </em>for the classroom talks about the value of asking students to think through "what if" scenarios about history - what if the Native Americans or Africans had resisted colonization,  for example - that can be played out in the simulation game and which can help us to understand the contingencies of history. Asking what if questions both force us to think about the impact of historical events as well as the different factors which weighed in to make some possibilities more likely than others. As Squire notes, playing <em>Civilization III </em>encourages students to master the logic of history rather than simply what happened. The same thing happens when we explore how the same story has been told in differ
ent national contexts. It helps us to see the different values and norms of these cultures as we look at the way the story has been reworked for local audiences.</div><div><br /></div><div><u>Immersion vs. Extraction</u> In terms of immersion, we might think about the potential educational value of virtual worlds. I don't mean simply having classes in <em>Second Life </em>which look like virtual versions of the classes we would have in First Life except with far less human expressivity. I mean the idea of moving through a virtual environment which replicates key aspects of a historical or geographical environment. I am thinking about Sasha Barab's <em><a href="http://crlt.indiana.edu/research/qa.html">Quest Atlantis</a></em>&nbsp;or Chris Dede's <em><a href="http://muve.gse.harvard.edu/rivercityproject/">River City</a></em> as examples of fully elaborated virtual learning environment which rely on notions of immersion. I am also thinking about activities where students build their own virtual worlds - deciding what details need to be included, mapping their relationship to each other, guiding visitors through their worlds and explaining the significance of what
they contain.</div><div><p></p>

Extractability captures another principle which has long been part of education - the idea of meaningful props and artifacts in the classroom. In a sense, every time we have show and tell, everytime a student brings an element from their home culture into the classroom, every time a teacher brings back a mask or a tool from their visit to another country and displays it as part of their geography lesson.&nbsp;</div><div><br /></div><div><u>World Building </u> World Building comes out of thinking of the space of a story as a fictional geography. I've mentioned here before that L. Frank Baum described himself as the Royal Geographer of Oz. In this case, we do not simply mean physical geography though this is part of it. Books with a strong focus on worlds often include maps - whether it is the large scale map of Middle Earth in J.R.R. Tolkien or the much more local map of the rigigng of the ship found in many of Patrick O'Brian's books. Part of the pleasure of reading those books is mastering that fictional geography. But world building also depends on cultural geography - our sense of the peoples, their norms and rituals, their dress and speech, their everyday experiences, which is also often the pleasure of reading a fantasy or science fiction narrative. But it is also part of the pleasure of reading historical fiction and a teacher can use the activity of mapping and interpreting a fictional world as a way
 of opening up a historical period to their students. This moves us away from a history of generals and presidents towards social history as the key way through which schools help us to understand the past.  And many traditional school activities encourage students to cook and eat meals, to make and wear costumes, to engage in various rituals, associated with other historical periods. If we develop ways of mapping these worlds as integrated systems, we can push beyond these local insights towards a fuller, richer understanding of past societies.</div><div><br /></div><div><u>Seriality</u>  The media industry often discusses seriality in terms of the "mythology," which offers one way of understanding how we might connect this principle to traditional school content. At its heart, seriality has to do with the meaningful chunking and dispersal of story-related information. It is about breaking things down into chapters which are satisfying on their own terms but which motivate us to keep coming back for more. What constitutes the equivalent of the cliffhanger in the classroom? What represents the story arc which stitches a range of television episodes together? Or by contrast, what has to be present for a story or lesson to have a satisfying and meaningful shape even if it is part of a larger flow?</div><div><br /></div><div><u>Subjectivity </u> At heart, subjectivity refers to looking at the same events from multiple points of view. When we were going through my late mother's papers, we found a school assignment from the 1930s when she wrote the story of Little Red Riding Hood from the perspective of the wolf. When I mentioned this at the webinar, others mentioned<em> Wicked</em> which tells <em>the Wizard of Oz</em> from the vantage point of the Wicked Witch of the West.  Matt Madden's book <em>99 Ways to Tell a Story: Excercises in Style </em>is a great way to bring these issues into the art or language arts classroom: he tells the same simple story 99 times, each time tweaking different storytelling variables, including those around tense and perspective. In the history classroom, there's a value of flipping perspectives - how were the same events understood by the Greeks and the Persians, the RedCoats and the Yankees,  the North and the South, and so forth, as a way of breaking out of histo
rical biases and understanding what lay at the heart of these conflicts.</div><div><br /></div><div><u>Performance</u> In speaking about entertainment, I discuss performance in terms of a structure of cultural attractors and activators. The attractors draw the audience, the activators give them something to do. In the case of the classroom, there are a range of institutional factors which insure that you have a group of students sitting in front of you. But you still face the issue of motivation.  When we were doing work on thinking about games to teach, we often had to ask the content experts to tell us what the information they saw as valuable allowed students to do. To turn the curriculum into a game, we had to move from information on the page to activities which put that information to use.</div><div><br /></div><div>This is at the heart of any process-driven approach to learning. What are you asking your students to do with what you teach them? How are they able to adapt it in a timely and meaningful fashion from knowledge to skill? And tied to this is the idea of adaptation and improvisation, since in the entertainment world, different fans show their different understandings and interest in the entertainment content through very different kinds of performances. So, how do we create a space where every student can perform the content of the class in ways which are meaningful to them? In short, how might teachers learn to think about cultural activators in designing their lessons?</div>]]>
    </content>
</entry>

<entry>
    <title>Early Adopters of the New Media Literacies in Practice : Pt. 1</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/06/today-was-a-real-treat-1.php" />
    <id>tag:newmedialiteracies.org,2010://12.3883</id>

    <published>2010-06-18T15:02:50Z</published>
    <updated>2010-06-19T02:59:33Z</updated>

    <summary>I have been working with an exceptional group of educators from the state of New Hampshire for the past six months via online professional development around the integration of the new media literacies across curriculum. The goal, ultimately, is that...</summary>
    <author>
        <name>Vanessa Vartabedian</name>
        
    </author>
    
    <category term="deefieldcommunityschool" label="Deefield Community School" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="learning" label="learning" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mariaknee" label="Maria Knee" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mediaeducation" label="media education" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="medialiteracy" label="media literacy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nh" label="NH" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="technologyandeducation" label="technology and education" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wesleyfryer" label="Wesley Fryer" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<font style="font-size: 1.25em;">I have been working with an exceptional group of educators from the state of New Hampshire for the past six months via online professional development around the integration of the <a href="http://newmedialiteracies.org/blog/2008/11/10/NMLskills.pdf">new media literacies</a> across curriculum. The goal, ultimately, is that these teachers, technology integrators an library media specialists will be able to pass this new expertise on to other educators, and facilitate guidance around adopting the <i>practices</i> and <i>skills</i> they have been exploring with others statewide. <br /><br />Of course, they first needed to adopt these ideas as valuable to their own classrooms, attempting to make direct connections to the relevance it has to the lives of their students, and their curriculum. </font><font style="font-size: 1.25em;">Throughout this professional 
development, the early adopters have taken on the role of 'teacher as 
researcher'. </font><font style="font-size: 1.25em;">This has required some rethinking of their pedagogical practices and even a consideration toward a paradigm shift&nbsp; in terms of the teacher/student relationship to a more co-configured approach-where they are facilitators of student learning, rather than experts delivering content.<br /><br />The nml skill Play, which is <i>the capacity to experiment with one's surroundings as a form of problem-solving, </i>made intuitive sense to most of these educators in terms of learning, yet they initially feared trying it out in their own teaching. <br /><br />This is not a criticism of these teachers. On the whole, they struggle with what most educators in America are up against - preparing students to be expert test-takers and competent autonomous learners armed with a specific body of knowledge. Most of the time, <i>play</i> just seems like too much <i>fun. </i><br /><br />As most of us know, 'play' does not mean unstructured learning,&nbsp; but it does require the willingness to learn by failing. And with the pressure to provide students with a "21st century education" - technology has become the primary focus. Of course equipping schools with new technological tools doesn't mean we know how to engage students in meaningful learning with them, nor are the skills students need always best taught through technology. Technology is, after all, a tool, the means by which we should engage students in learning the content and broader skills they will need as citizens and workers of the world. Learning the tool, for students anyway, is usually the easy part - they play with it all the time. But for teachers who experience technological-access inequity, or lack the professional development opportunities to explore the relevant affordances these tools can have to their curriculum, the frustration factor can be a stunting experience for professional growth and student engagement. &nbsp; <br /><br />Below is a re-blog from Wesley Fryer, who visited one such risk-taking early adopter in her classroom earlier this spring. Maria Knee is a kindergarten teacher whose educational practices have evolved at the speed of technology, and has been lucky enough to receive a tremendous amount of support from her school in doing so. </font><font style="font-size: 1.25em;">When these factors are in place</font>, <font style="font-size: 1.25em;">it is interesting to see just how a teacher includes technology in her practices without making it the end goal of learning.</font><font style="font-size: 1.25em;"> <br /></font><br /><font style="font-size: 1.25em;"><br /></font>]]>
        <![CDATA[<b><font style="font-size: 1.5625em;">We Can all Learn a Great Deal From a Great Kindergarten Teacher</font><font style="font-size: 1.25em;"> - From <a href="http://www.speedofcreativity.org/"><i>Moving at the Speed of Creativity</i></a>, The Weblog of Wesley Fryer</font><br /><br /></b><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://newmedialiteracies.org/fryer-200-280-72dpi.jpg"><img alt="fryer-200-280-72dpi.jpg" src="http://newmedialiteracies.org/assets_c/2010/06/fryer-200-280-72dpi-thumb-100x140-1375.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="140" width="100" /></a></span><font style="font-size: 1.25em;">Today was a real treat. My 9 year old 
daughter and I spent most of the 
day at <a href="http://sau53.org/dcs/" onclick="javascript:pageTracker._trackPageview('/outbound/article/sau53.org');">Deerfield

 Community School</a>, in Deerfield, New Hampshire. While Sarah was 
hosted by a wonderful Deerfield student and enjoyed learning about their
 upcoming science fair projects (as well as other topics) I met with 
teachers in several grade levels and was amazed to learn about some of 
the wonderful digital learning and collaborating they are doing together
 with students. It will take SEVERAL posts, I'm sure, to adequately 
reflect on all the learning of the day, but for now I'd like to share 
and reflect on what an absolute JOY it was to spend time in <a href="http://twitter.com/mariaK" onclick="javascript:pageTracker._trackPageview('/outbound/article/twitter.com');">Maria

 Knee</a>'s kindergarten classroom. Maria secured permission for me to 
take photos during my visit, and these are several I took with <a href="http://debaclesoftware.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/debaclesoftware.com');">Pano</a>.</font><br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee10.jpg" src="http://newmedialiteracies.org/MariaKnee10.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="90" width="500" /></span><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee13.jpg" src="http://newmedialiteracies.org/MariaKnee13.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="187" width="500" /></span><br /> <div><br /></div><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><font style="font-size: 1.25em;">I have a vast amount of respect for every teacher, but am particularly 
in awe of kindergarten teachers who are able to masterfully facilitate 
student learning as Maria does. When I visited this afternoon, students 
were engaged in a variety of center-based activities which involved 
reading, writing, creating art, solving problems, building structures, 
and interacting with peers as well as adult classroom assistants. Notice
 how the students in the photos below are scattered all over the room, 
and are busily at work at different learning tasks. You'll notice in the
 first photo below, Maria actually appears twice! That's because she was
 moving around the room checking with students and helping as needed! 
The <a href="http://debaclesoftware.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/debaclesoftware.com');">iPhone
 Pano program</a> stitched together about seven different images to make
 this composite panoramic image.</font><br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee9.jpg" src="http://newmedialiteracies.org/MariaKnee9.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="149" width="500" /></span><br /><div><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee5.jpg" src="http://newmedialiteracies.org/MariaKnee5.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span></div><div><font style="font-size: 1.25em;">There was a lot of WRITING going on in class today. The student on the 
left in the above photo was writing about a picture he'd drawn, using 
Google Documents. In the photo below, the student on the left is writing
 on <a href="http://classblogmeister.com/blog.php?blogger_id=51141" onclick="javascript:pageTracker._trackPageview('/outbound/article/classblogmeister.com');">Maria's
 classroom blog</a>, hosted for free by <a href="http://davidwarlick.com/2cents/" onclick="javascript:pageTracker._trackPageview('/outbound/article/davidwarlick.com');">David
 Warlick</a><a href="http://classblogmeister.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/classblogmeister.com');">Class
 Blogmeister</a>.</font><br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee1.jpg" src="http://newmedialiteracies.org/MariaKnee1.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span><br /></div><div><font style="font-size: 1.25em;">The six netbooks in Maria's classroom really got a workout this 
afternoon. Netbooks are perfect because of their size and (in the case 
of these eePCs) their long battery life for a kindergarten classroom. In
 this photo, a student and an adult were reading together on the screen.</font><br /><br /><font style="font-size: 1.25em;">Students were not only doing lots of READING and WRITING during center 
time, they were also sharing and speaking. These two boys were working 
cooperatively to record an audio overview of a picture one of them had 
drawn. Once the student with the recorder was ready, he rang a bell to 
let others in the classroom know it was "recording time." He announced, 
"Recording!" and then his partner told about his illustration.</font><br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee11.jpg" src="http://newmedialiteracies.org/MariaKnee11.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span><br /></div><div><br /><font style="font-size: 1.25em;">When you see clocks like those below in a kindergarten classroom, you 
know some very unique learning must be going on. Maria's students have 
partner classrooms in both Canada and Australia, and they keep clocks 
set to the local times in those classrooms so they'll know if the time 
is right for a Skype call collaboration.</font><br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee12.jpg" src="http://newmedialiteracies.org/MariaKnee12.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span><br /></div><div><br /><font style="font-size: 1.25em;">Maria uses a <a href="http://thekinderkids.wikispaces.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/thekinderkids.wikispaces.com');">customized
 kindergarten learning portal</a> on <a href="http://www.wikispaces.com/site/for/teachers" onclick="javascript:pageTracker._trackPageview('/outbound/article/www.wikispaces.com');">WikiSpaces</a>
 she created just for her students. She patterned this after the <a href="http://room9nelsoncentral.wikispaces.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/room9nelsoncentral.wikispaces.com');">classroom
 learning portal</a> <a href="http://twitter.com/rachelboyd" onclick="javascript:pageTracker._trackPageview('/outbound/article/twitter.com');">Rachel
 Boyd</a> made for her 6 and 7 year old students in Nelson, New Zealand.
 (If you haven't seen <a href="http://k12onlineconference.org/?p=553" onclick="javascript:pageTracker._trackPageview('/outbound/article/k12onlineconference.org');">Rachel's
 keynote for K12Online09 yet</a>, check it out-- it's a "must see" 
especially for primary-grade teachers.) In the photo below, one of 
Maria's students is coaching other kids to effectively navigate the game
 <a href="http://www.uen.org/tumbletown/" onclick="javascript:pageTracker._trackPageview('/outbound/article/www.uen.org');">"Seed
 Ball," which is part of TumbleTown</a>. It's a free resource from the 
Utah Education Network. Students work on coordinate geometry skills, 
logical thinking and problem solving, while they create "<a href="http://en.wikipedia.org/wiki/Rube_Goldberg" onclick="javascript:pageTracker._trackPageview('/outbound/article/en.wikipedia.org');">Rube
 Goldberg</a>" style seed machines.</font><br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee2.jpg" src="http://newmedialiteracies.org/MariaKnee2.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span><br /></div><div><br /><font style="font-size: 1.25em;">These students were taking care of their group's dogs on <a href="http://en.wikipedia.org/wiki/Nintendo_DSi" onclick="javascript:pageTracker._trackPageview('/outbound/article/en.wikipedia.org');">Nintindo
 DSi's</a>, playing the game <a href="http://www.nintendogs.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/www.nintendogs.com');">Nintendogs</a>.
 Students share the pets and have to work together to decide how to 
spend their "virtual money" on their pet. Lots of great conversations 
and discussions ensue about economics, pet care priorities, etc.</font><br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee3.jpg" src="http://newmedialiteracies.org/MariaKnee3.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span><br /></div><div><font style="font-size: 1.25em;">I</font><font style="font-size: 1.25em;">'ll close with this photo of Maria's class rules</font>.<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee4.jpg" src="http://newmedialiteracies.org/MariaKnee4.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span><br /></div><div><p><font style="font-size: 1.25em;">In case you can't view <a href="http://www.nintendogs.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/www.nintendogs.com');">the
 Flickr image</a>, I'll type these out. The rules are very simple but 
powerful:</font></p>
<ol><li><font style="font-size: 1.25em;">Take care of yourself.</font></li><li><font style="font-size: 1.25em;">Take care of your friends.</font></li><li><font style="font-size: 1.25em;">Take care of everything.</font></li><li><font style="font-size: 1.25em;">Do your best work.</font></li></ol>
<p><font style="font-size: 1.25em;">If we all followed those simple rules every day, wouldn't the world 
be a much better place? In the safety and security of a caring classroom
 like Maria's, somehow the world seems to make a great deal of sense. 
Her students are extremely blessed to have her and the other teachers as
 well as parent volunteers helping them learn at <a href="http://sau53.org/dcs/" onclick="javascript:pageTracker._trackPageview('/outbound/article/sau53.org');">Deerfield</a>.</font><br /></p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MariaKnee8.jpg" src="http://newmedialiteracies.org/MariaKnee8.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="375" width="500" /></span></div><div><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><b>Wesley
        Fryer</b> is a digital learning consultant, author, digital 
storyteller, educator and change agent. With
        respect to school change, he describes himself as a "catalyst 
for
        creative  engagement and collaborative learning." Wesley serves 
as a co-convener for the annual <a href="http://k12onlineconference.org/">K-12 Online Conference</a>&nbsp;and is
 the executive director of the nonprofit <a href="http://storychasers.org/">Story Chasers Inc.</a>, the lead partner
 in the statewide <a href="http://wiki.celebrateoklahoma.us/">Celebrate 
Oklahoma Voices digital storytelling project</a>.&nbsp;
        His blog, "Moving
        at the Speed of Creativity" (<a href="http://www.speedofcreativity.org/">www.speedofcreativity.org</a>)
        was selected as the 2006 "Best Learning Theory Blog" by 
eSchoolnews
        and Discovery Education, and is utilized regularly by
        <a href="http://flickr.com/photos/wfryer/2151619694/in/set-72157603592062409/">thousands</a>
 of
        educators
        <a href="http://flickr.com/photos/wfryer/2150813347/in/set-72157603592062409/">worldwide</a>.<br /></div><div><br /></div>]]>
    </content>
</entry>

<entry>
    <title>Helping Teachers Learn About New Media Practices (Part Two)</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/05/helping-teachers-learn-about-n-2.php" />
    <id>tag:newmedialiteracies.org,2010://12.3879</id>

    <published>2010-05-20T14:56:04Z</published>
    <updated>2010-05-20T15:09:07Z</updated>

    <summary>Often, the teaching of the new media literacies is understood as either the domain of a specific digital specialist or as the work of language arts or arts instructors. Yet you offer many examples of how and why this approach...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<font style="font-size: 1.25em;"><strong>Often, the teaching of the new media literacies is understood as
 either the domain of a specific digital specialist or as the work of 
language arts or arts instructors. Yet you offer many examples of how 
and why this approach should impact other disciplinary domains. Why 
should these skills and knowledge be integrated across the curriculum?<br /><br /></strong></font><blockquote><font style="font-size: 1.25em;"><u>Erin: </u><br />
If you look at these three words, New + Media + Literacies ...there are 
different ways to interpret them.  You could read it as "New Media" 
Literacies or "New" Media Literacies.  Either way, there is no wrong 
answer.</font> <font style="font-size: 1.25em;">"New" Media Literacies does build upon the media literacy movement 
where we move from being empowered by media to critically analyze the 
media we consume through asking important reflective questions to now 
being producers of media ourselves.  And in this new role as producer, 
there are new questions to ask and new ways to think and act on how to 
be an integral part of shaping and contributing my perception of the 
world.</font> <font style="font-size: 1.25em;"><br /><br />But also, "New Media" Literacies is a new form of literacy and helps 
teachers understand that our students are reading and writing in new 
ways. Reading and writing was once relegated to reading books and 
writing papers, but now we write into meaning through new media such as 
video, audio or even construction of physical objects.   </font><p><font style="font-size: 1.25em;">A possible hypothesis is that the educational system has not caught 
up with the shifting landscape of participatory culture where there are 
new ways to read, write, and compute numbers.</font></p><p><font style="font-size: 1.25em;">PAST 	                       PRESENT <br />
Reading a Book 	       Reading a Transmedia Story <br />
Writing Alone 	                Networked Writing <br />
Memorizing Formulas 	Gaming as Problem Solving </font></p><p><font style="font-size: 1.25em;">This shift changes the focus of literacy from individual expression 
to community involvement where creativity and active participation are 
the hallmark. And it makes it increasingly important to understand and 
be competent in the skills of citizenship, art, and expression of social
 connectivity.  These are the skills identified in our white paper as 
the New Media Literacies and ones we need to foster as we think about 
education.</font></p><p><font style="font-size: 1.25em;">We are in a paradigm shift in the classroom where educators need to 
work in the gap between life and school. You only have to observe your 
students outside of the classroom for a few hours to see that they are 
immersed in this digital culture.  This is not a "special treat if 
they're good" sort of immersion but a complete shift.  It's their way of
 life. Incorporating participatory practices into the classroom -- such 
as remixing, Wikipedia, SNS, or even mobile -- allows for a blurring of 
boundaries between informal and formal learning and harnesses the power 
of digital technologies for students to reflect on the participatory 
culture that they live in.</font></p><p><font style="font-size: 1.25em;">This provides teachers an opportunity to offer learning objectives in
 their classrooms in a new way, while at the same time offering students
 opportunities to read and write their cultural practices that are 
central to their own everyday experience. <br /></font></p></blockquote>











<p><font style="font-size: 1.25em;"><strong>You point to a kind of generation gap around Wikipedia where 
students love it and teachers are wary. What do you see as meaningful 
steps forward in addressing these different perceptions of the value of 
Wikipedia? Are there examples of teachers who are effectively 
integrating Wikipedia into their teaching?</strong></font></p> ]]>
        <![CDATA[<blockquote><font style="font-size: 1.25em;"><u>Jessica:</u>
A first step is for our educational community to view Wikipedia as a 
collaborative learning environment. At first glance Wikipedia is 
perceived as simply an online encyclopedia--it's a product.  Our 
community should look beyond the surface and focus on Wikipedia as a 
venue for contributing, editing and the sharing of one's expertise. For 
me, educators can learn a lot by creating low-risk environments in which
 making mistakes and struggling to come to an answer are the norm. 
Although someone can delete my additions to a Wikipedia entry, I can 
engage in a conversation around why this happened. I am part of a larger
 discussion around the creation and sharing of knowledge rather than 
being told I am incorrect and here is the right answer. Engaging a 
student can depend on whether or not she believes her input matters. Yet
 an engaged student must also be open to negotiation, revision, and 
change as these are inherent to the learning process. I learn from my 
mistakes just as I learn from my accomplishments. 

</font><p><font style="font-size: 1.25em;">I also think that Wikipedia should not be banned in schools (although
 there are issues of determining the appropriateness of content). I 
think it is an excellent starting point for research--as long as both 
teachers and students understand its strengths and weaknesses. And this 
means that all teachers need to teach what it means to research 
something in their disciplines. The act of researching is an act of 
accessing, analyzing, evaluating, and assessing information as well as 
its source. These skills are vital to our digital media age and get at 
the heart of bias, perspective, objectivity/subjectivity.</font></p><p><font style="font-size: 1.25em;"><u><br /></u></font></p><p><font style="font-size: 1.25em;"><u>Erin:</u></font>
 <br /></p></blockquote><blockquote><font style="font-size: 1.25em;">
The first meaningful step to recommend is for school administrators and 
teachers to better understand Wikipedia's practice and the importance of
 the new media literacies that are gained in its practice. 

</font><p><font style="font-size: 1.25em;">Wikipedia was a predominant activity we encouraged in NML's pilot 
studies last year.  However, this activity had numerous road-blocks. We 
had one teacher comment, "When I've looked at pages in Wikipedia, I've 
found that some are not very accurate or complete.  I'll use it in my 
classroom, when they go in and fix it." This shows that we need to help 
teachers understand that "they" is the community of users and that 
community could include the teacher and her students.  We also found 
that Wikipedia was often blocked at the schools we piloted our resources
 in, and had to go to measures to get it unblocked in order to use it 
for the class period.  </font></p>

<p><font style="font-size: 1.25em;">One of the most valuable segments of Wikipedia's use was observing 
Global Kids' Media Masters program create the Prospect Heights Campus 
Wikipedia Project, which spanned five weeks. The Wikipedia page about 
the Prospect Heights Campus was a place for students to document 
information about the campus, its schools, history, and whatever else 
the students decided was important to include in an entry - and a place 
for them to do so publicly and neutrally. There are many examples of a 
structured learning environment of wikis or wiki pages being created; 
however, Global Kids chose to use Wikipedia and not develop a pbwiki or 
something similar for just their group of students to view. </font></p>

<p><font style="font-size: 1.25em;">Trying to replicate Wikipedia through pbwiki, or some other wiki 
software, certainly has its benefits. It is what might be termed a 
"walled garden" approach, allowing students to tinker with wiki software
 and yet not be exposed to the potentially disruptive larger Internet. 
However, choosing a walled garden approach also has many costs. Students
 who already use the internet know very well what is actually "out 
there," and the walled garden runs the risk of losing their interest - 
because, after all, a walled garden isn't the "real world." Even if 
students are unfamiliar with the Internet, using a walled garden 
approach precludes the possibility of emergent learning. </font></p>

<p><font style="font-size: 1.25em;">If a teacher develops a project in a walled garden, that is where it 
stays. It cannot become part of the information ecology of the web, and 
students cannot thereby learn about community participation. Nor can 
they be convinced that their work has any greater significance than 
"something I had to do to get a grade." They know very well that their 
work will never receive any attention from people who are not in their 
class. </font></p>

<p><font style="font-size: 1.25em;">In Global Kids' Media Masters class, however, the students were 
energized by the knowledge that 1) they were filling a real need on 
Wikipedia, and 2) their work was going to become part of the great 
online knowledge base. The students prepared their page, but when it 
came time to copy and paste it into Wikipedia, they were nervous, 
excited, and thrilled. The act of pushing the "submit" button - that is,
 the act of submitting their classwork to their teacher - was suddenly 
pregnant with significance. They weren't just turning in homework. They 
were putting themselves out there and helping shape the way the public 
would see their high school - would see them. </font></p></blockquote>

<font style="font-size: 1.25em;"><br /><strong>Your book's contributors involve both academic researchers and 
practicing educators.  What do you see as the most important points or 
contact or divergence between the ways these two contributors approached
 the concerns the book raises?<br /><br /></strong></font><blockquote><font style="font-size: 1.25em;"><u>Jessica:</u><br />
Classroom teachers are often voicing their concerns about a lack of 
opportunity to sit down with their colleagues and discuss important 
issues; time is not allocated for them to be part of a learning 
community.  I have had similar experiences as a professor in academia. 
In both realms, there is a tendency to work extremely hard in isolation.
  My hope is that this book can serve as a conduit for academic 
researchers and practicing educators to talk about their findings, their
 experiences, and their hopes for new and different teaching and 
learning environments. We must remember that there is always something 
to learn about our disciplines by looking outside of them.<br /><br /></font><p><font style="font-size: 1.25em;">What I find wonderful about the contributors to the book is that 
researchers like danah boyd would welcome an opportunity to sit down 
with classroom teachers and talk about the ethics of social networks and
 what it means to be part of a network, just as English teacher Amy 
Crawford would jump at a chance to talk to researchers about her 
students as textual borrowers--as remixers and media makers in her 
classroom. There are many points of interest here and, to be frank, we 
must be open to these kinds of trans-academic connections and 
discussions because we need each other as allies to move forward in 
rethinking learning, literacy, and technology integration.</font><br /></p><p><br /></p></blockquote> 

<font style="font-size: 1.25em;"><strong>Much of the book tries to help teachers overcome their anxieties
 about working with new media technologies and practices. So, let me 
ask, which concerns do you think are valid? Where should teachers and 
schools go slowly in embracing these new media?</strong></font><br />
<blockquote><blockquote><font style="font-size: 1.25em;"><br /></font></blockquote><font style="font-size: 1.25em;"></font></blockquote><blockquote><font style="font-size: 1.25em;"><u>Maryanne:</u></font><br /><font style="font-size: 1.25em;">
With regard to embracing technology, I think that teachers need think 
through the consequences of implementing any innovation.  For example if
 a teacher hosts a blog where students post satiric pieces about the 
school, the administration might feel that some of the postings conflict
 with the image of the school they wish to project to the community.  In
 any social network there are going to be "in-house" jokes that might 
puzzle or even offend outsiders.  Teachers need to take a clear look at 
new media practices and consider how they will change when they are 
employed in school settings. With the ability to broadcast thoughts, 
ideas and products, also comes the responsibility for considering who 
the audience will be and how they might respond.</font><br /><br /><font style="font-size: 1.25em;">    

</font><p><font style="font-size: 1.25em;">Any time a teacher is asking students to perform activities in a 
virtual environment, be it posting on a website, or interacting in an 
immersive setting, she must consider her duties to guide, protect and 
mentor her students.  Teacher need to think the way they do when they 
take students on field trips and make clear guidelines regarding their 
expectations.  It is not foolish to be cautious; it would only be 
foolish to miss out on incredible opportunities for learning simply 
because teachers were not willing to plan and prepare for the excursion.
 </font></p></blockquote><blockquote> 

</blockquote><blockquote><font style="font-size: 1.25em;"><u>Jessica:</u>
Technology can be a scary proposition for some teachers.  For both 
novice and veteran technology users, integrating this element into their
 curriculum and feeling the need to be knowledgeable can be intimidating
 and anxiety inducing.  Additionally, teachers rarely have time to 
pursue their own professional development (e.g. PD that isn't mandated 
by the school/district), which would allow them to bring something new 
to their curriculum.  The anxiety comes from feeling like there is too 
much technology to learn, too little time to learn it, and not enough of
 the right support from employers to really grapple with it. One option 
is to utilize the knowledge of the classroom: no one knows everything 
about technology so who knows how to do what? Is there an opportunity 
for students, parents, or community members to step up in a 
technological role? Even though this shift in thinking may challenge our
 notions of authority and expertise within a classroom, it opens up the 
possibility to create a community of learners made up of both teachers 
and students working toward a common goal.

</font><p><font style="font-size: 1.25em;">Since we know that time and anxiety are key issues for teachers, then
 let's change the culture of professional development: let's view PD not
 as a one-day affair with an "expert" but as an ongoing project with a 
group of educators dedicated to learning, creating, discussing, 
experimenting, and reflecting on their philosophy of technology and its 
integration. </font></p></blockquote>
<blockquote>

<p><font style="font-size: 1.25em;"><br /></font></p></blockquote><p><font style="font-size: 1.25em;"><strong>You have created this book to spark conversations with teachers.
 What steps have you taken to continue this dialogue once the book is 
published?</strong></font>
<br /></p><blockquote><font style="font-size: 1.25em;"><u>Jessica:</u></font><br /><font style="font-size: 1.25em;">
It seemed illogical to invite classroom teachers to join a discussion 
without offering an online space to help promote and nurture such a 
discussion. I created this social network 
(http://teachingtechsavvykids.com) in the hopes that both researchers 
and practicing educators could connect and discuss issues important to 
them as well as the issues the book addresses. I view the site as a way 
to collaborate, share stories of hope, frustration, and change, and 
tackle some of the tough questions of this profound moment. Ann Lauriks,
 a middle school counselor who contributed to the book, has already 
promised to write another piece to share with the new online community. 
 In addition, some of the researchers who contributed to the book along 
with other colleagues have expressed interest in sharing their ideas and
 personal experiences within this space. I am excited to see the 
enthusiasm and ongoing commitment to continue this discussion and 
collaboration and I hope all educators will feel inclined to 
participate.</font><br /><blockquote>
<font style="font-size: 1.25em;"><br /></font></blockquote>

<p><font style="font-size: 1em;">Maryanne Berry enjoys a high school teaching career that has spanned a<br />
quarter of a century. The longer she teaches, the more fascinated she<br />
becomes with the ways young people learn. She is currently a doctoral<br />
candidate in the Graduate School of Education at U.C. Berkeley</font></p>

<p><font style="font-size: 1em;">Phil Halpern is the lead teacher of Communication Arts and Sciences, a<br />
small school within Berkeley High School, where he teaches a variety of<br />
English and communications classes. He traces his interest in media<br />
education to the weekly television news program he helped produce while 
in<br />
high school back in the earliest days of videotape.</font></p>

<p><font style="font-size: 1em;">Erin B. Reilly is the research director for Project New Media 
Literacies<br />
first at MIT and now at USC. She is a recognized expert in the design 
and<br />
development of thought-provoking and engaging educational content 
powered<br />
by virtual learning and new media applications, known best for her work<br />
with women and girls in Zoey's Room.</font></p>

<p><font style="font-size: 1em;">Jessica K. Parker is currently an assistant professor at Sonoma State<br />
University, and she studies how secondary schools integrate multimedia<br />
literacy into academic literacy learning. She has taught middle school,<br />
high school, and college students for over a decade and has also created<br />
and taught professional development courses for teachers.</font><br /></p><p><br /></p></blockquote>]]>
    </content>
</entry>

<entry>
    <title>Helping Teachers Learn About New Media Practices (Part One)</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/05/helping-teachers-learn-about-n.php" />
    <id>tag:newmedialiteracies.org,2010://12.3877</id>

    <published>2010-05-11T22:16:31Z</published>
    <updated>2010-05-11T22:42:52Z</updated>

    <summary>Jessica K. Parker&apos;s new book, Teaching Tech-Savvy Kids: Bringing Digital Media into the Classroom, Grades 5-12 manages to be visionary and pragmatic in equal measures. Drawing heavily on the work done by researchers affiliated with the MacArthur Foundation&apos;s Digital Media...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
    <category term="erinreilly" label="Erin Reilly" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="henryjenkins" label="Henry Jenkins" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newmedia" label="new media" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newmedialiteracies" label="new media literacies" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<p><big>Jessica K. Parker's <a href="http://www.corwin.com/booksProdDesc.nav?prodId=Book233285&currTree=WebTopics&level1=Web_Topic11&">new book</a>, <em>Teaching Tech-Savvy Kids: Bringing Digital Media into the Classroom, Grades 5-12</em> manages to be visionary and pragmatic in equal measures. Drawing heavily on the work done by researchers affiliated with the MacArthur Foundation's Digital Media and Learning Initiatives, especially the Digital Youth Project, the book offers educators, especially classroom teachers, new ways of understanding young people's online lives and how the resources of new media and participatory culture can be effectively integrated into their pedagogical practices. The book brings together smart people -- researchers, classroom teachers alike -- to talk through the implications of our present moment of media changes on the kinds of learning which are taking place in school. The authors move deftly from considering the big picture to explaining specific activities which might be deployed in the classroom. I was proud to see some discussion of the work we've been doing through Project New Media Literacies sprinkled throughout the book and not simply because our Research Director, Erin Reilly, has contributed an essay on learning through remixing.</p>

<p>I am using the release of the book this week as an excuse to bring together several key contributors to the volume, including Reilly and the book's editor Parker, for a conversation about the ways that this new research is challenging some of the assumptions that govern how teachers and administrators often respond to the potentials of new media and learning. And while you are at it, check out this <a href="http://teachingtechsavvykids.com/">rich website</a> developed to provide teachers with resources around the book.</p>

<p><br />
<strong>Can you give me a sense of your goals for this book? In some ways, it is translating or popularizing insights from the MacArthur Digital Media and Learning research for an audience of teachers. What do you see as the value of this research for impacting the decisions which teachers make everyday in the classroom, given, as you note, the primary focus of this research was on informal learning outside the classroom?</strong></p>

<p><br />
<u>Jessica:</u><br />
With this book, I wanted to invite educators, specifically classroom teachers, into this larger discussion of digital media and learning (DML). I felt that if I wrote a book for teachers my invitation needed to connote, "I trust you. Here is something that I want to share with you. I value your opinion and your insights." In the DML community, there is a sense that this current moment is a defining one. It is a profound moment. And I don't think my collective academic community has reached out enough to classroom teachers to say, "Join us in this moment." Join us--even though we may exist as researchers, educators, and mentors in different learning environments--join us as we analyze these important educational concepts and discuss how learning, literacy and knowledge creation and sharing are changing. Changing the culture of learning within schools starts with teachers.</p>

<p>I wanted to share this research with classroom teachers and listen to their responses. And yet, I realize that the book that I created with 28 collaborators will force educators to shift their perspective of learning by going beyond a normative understanding of formal education. I don't think this discussion will be an easy one: in fact, this book might take readers out of their comfort zones. And that is why it was important for me to "invite" teachers into this discussion. We desperately need this kind of philosophical discussion. In order to do this, I followed in the footsteps of the MacArthur Foundation and wrote a book that focuses on "learning" rather than "education" or "schooling." We must take a different angle on learning in order to see beyond the constraints of our own educational system.</big></p>]]>
        <![CDATA[<p><big>I also wanted to avoid framing the book as a teacher's guide with a focus on one single subject with cut-and-paste activities for the classroom. This kind of thinking seems to promote an educational system devoid of curricular connections and deep participatory learning, and lacks application to everyday life. I framed the book as a philosophical discussion regarding learning in the 21st century in the hopes that we could take a step back from the everyday realities of the classroom and reflect on what it means to be an educator in these changing times. I know too well the teacher-mode of the treadmill, where from August to June I would run from unit to unit and chapter to chapter and miss making connections between topics, across disciplines or even daily lessons. We need to stop running on our treadmills and start asking serious questions about what it means to learn, to be literate, and to know something in a mediated culture.</p>

<p>In terms of the value of the research from the MacArthur Digital Media and Learning Initiative, it is an excellent opportunity for teachers to explore pioneering research in this emerging field. Additionally, I don't buy into the notion that informal learning and formal learning are completely separate entities that have no bearing on another. I realize that they usually exist in separate settings and have different properties, but as a teacher and a learner, I have always viewed them as fluid. I don't want to draw a line in the sand and promote one over the other or frame our discussions as an either/or issue; in fact, I advocate that we should learn, reflect on, and analyze both settings. This can only make us better teachers and--most importantly--better learners.</p>

<p><br />
<strong>You frame the book around issues of what learning, literacy, and knowledge mean in the 21st century. While it is clear you want educators to continue to ponder these issues, you also clearly have some thoughts that guide this book towards certain answers. What do you know about these concepts at the end of the process of writing this book that you did not know before?</strong></p>

<p><br />
<u>Jessica:</u><br />
In my current work with pre-service and in-service teachers in Northern California, when I introduce the topic of reassessing learning, literacy and knowledge, it takes more than just reading research to unpack these issues. It takes more than just having a class discussion; it takes more than just testing out an idea in their own classroom. Analyzing and re-visioning these core educational concepts takes a lot of effort and it is really a combination of factors that allow teachers to really grapple with these topics: reading, discussing, experimenting and testing out ideas in their classrooms, and then coming back to our graduate class and reflecting and getting feedback from peers. This is a process that needs to be woven into the daily life of teachers--and it's hard to create time and space to accomplish this. We have to know ourselves as teachers and be willing to analyze our own philosophies of education. It's not an easy road to take but it is required if we are to rethink school-based learning. </p>

<p><br />
<strong>Many teachers fear that new media practices -- such as texting - leave students less literate. Yet, your book challenges this presumption. How do you see new media practices changing the range of expressive opportunities available to students?</strong></p>

<p><br />
<u>Maryanne:</u><br />
With regard to new media practices making youth less literate, it's a version of an old argument that surfaces every time there's a new wave of practice. Each new wave of media practices encounters resistance. Literary scholar, Nina Baym (2006), chronicles magazine and journal articles from the early 1800's in which editors asserted the need for reviewers to exercise surveillance and provide direction to the newly literate masses who had taken up the habit of reading fiction. Novels were dangerous! There was a similar kind of backlash in response to comic books. If anyone had taken that criticism seriously we would never have the incredible array of graphic novels we enjoy today.</p>

<p>As Henry Jenkins has pointed out, the critical change in the latest of the new literacies is that of convergence. The problem with "either/or" thinking with regard to traditional and digital literacy is that it fails to capture the experiences of youth. The child who is reading a novel from a traditional text, or listening to it on her ipod, downloading it onto her e-book, and visiting a website where she can play a game as a character from the book, participate in a forum discussion, and answer challenge questions, is transforming the practices of reading and writing. The sad fact is that she is not allowed to bring her e-book to school, even though some of her classmates wear outfits that cost more than her Kindle. She only sees a computer when her teacher beats out the thirty other teachers attempting to sign-up for the school's only computer lab on Wednesday, after lunch. Though at home she rarely writes with a pen, during the school day it is the only tool she is allowed to use in most of her classes. Even her cell phone must be kept in her locker or it will be confiscated. </p>

<p><br />
<u>Phil:</u><br />
Students express themselves through a variety of media. Kids are writing independently more now than they have since I started teaching in1992. What is new is the range of digital communication modalities that kids are adopting with zeal and creativity. That they are doing so using communication tools that are new to all of us and somewhat foreign to many teachers is immaterial. They are practicing the skills we teachers value on a daily basis. When teachers build on students' passion, they are capitalizing on an opportunity to help kids deepen both their use of communication tools and their understanding of (hopefully) relevant course content. </p>

<p><br />
<strong>You note that teachers often want to be told how they can use specific technologies in their classes. But you argue that this is not an adequate approach to the potentials and challenges of new media. Explain.</strong></p>

<p><br />
<u>Erin:</u><br />
When technology was first being used in the classroom, everyone involved in the process (from the developers to the school administrators, to the teachers working with the students) tried to replicate one to one what was already happening in the classroom. But we learned that this is the wrong approach. Integrating technology into the classroom provides new practices and scenarios that don't exist when technology is not there.</p>

<p>On top of that, technology moves at such a rapid pace that to introduce teachers to specific technologies to use in the classroom would be doing them an injustice in better understanding how to incorporate new practices in the classroom. If teachers only learned how to use specific types of tools, they would not be prepared to adapt and negotiate new spaces and new innovations that continuously happen in this rich media landscape.</p>

<p>No one technology is the savior for the classroom. It's not about asking ourselves what technology should I be using but instead we should be asking ourselves, "What practices enable my learning objectives?" This shift in question will encourage teachers to not be betrothed to a tool but instead encourage acquiring the new ways of thinking and doing through participating in new forms of practices.</p>

<p>New Media Literacies (NML) is working with the state of New Hampshire on a project called the Early Adopters' Network. This is a group of teachers from schools across New Hampshire who we collaborate with through NML's Community to better understand our pedagogical approach and try new methods and tools to increase collaboration among educators. One of the participating New Hampshire educators recently wrote us a reflection on her experience, "No longer am I looking to transfer some tech skill for use of an application but facilitating thoughts and skills through them. It's funny, because I always thought I did this, but the reality was my model basically encouraged to seek support from a classmate. The activities and lessons themselves were not thought-provoking or designed to encourage collaboration."</p>

<p>Though I don't endorse teaching teachers specific technologies, I think its important to provide ample time during each week to play. Play is one of the new media literacies, and we define it as the capacity to experiment with one's surroundings as a form of problem-solving. What about setting up a digital tool playground for your school as part of your teachers' professional development and as a way for students to share their expertise with the adults in their lives? This would provide a new space for teachers and students to come together wearing different hats than what we see in the classroom. In an unstructured format, this digital playground would allow teachers and students to collaborate in new ways and make visible the value of the different expertise available right in their own school.</p>

<p>This is messiness at its best where teachers and students struggle together to better understand the social and cultural competencies and in a place where one isn't judged on outcome but on participation, teachers and students would have time to practice and reflect on what it means to be part of this networked world.</p>

<p><br />
<u>Jessica:</u><br />
To reinforce what Erin said it isn't as easy as insert technology, out comes student learning. The excitement, sleekness, and allure of contemporary technology should not suggest that educators only have to incorporate laptops and webcams into their classrooms for students to magically acquire technical skills and understand academic concepts. We need an educational mindset that views technology as more than a mere tool--using technology in a classroom is in fact an application of a philosophy of learning. It is possible to incorporate digital media in a way that simply reproduces a particular kind of knowledge, a static notion of student identity, and a rigid understanding of teacher-student relationships. Viewing technology as both a philosophical issue and pedagogical practice offers teachers a way to avoid an overly deterministic approach to integrating technology.</p>

<p><br />
<u>Maryanne:</u><br />
As a classroom teacher myself, I do not think that teachers want "canned" products that they can only employ in a particular way. Rather, they want tools and environments that can be used to extend and support the worlds they are creating in their classrooms. Excellent teaching involves a degree of risk and sadly today there are many constraints on teachers that keep them from trying anything new. Being too cautious can cause a teacher to miss the wave of enthusiasm that can generate real engagement in learning. I think that teachers need to look at how students use particular tools, how they participate in particular practices, how they act in particular virtual environments and then ask themselves, 'how can I use this to forward the subject I teach?'</p>

<p>I saw how much my students enjoyed instant messaging when it first became available to them and so I devised a project through which students used IM to discuss literature. The point is to try and play with the forms, bend the rules to serve learning in school. I made strict guidelines about IM-ing. I didn't want the conversations to be superficial. Students had to support their ideas with quotes from the text. There is a way of balancing the excitement of a new practice with the rigor demanded by a particular discipline.</p>

<p>With regard to specific uses of technology in classrooms we should be wary of practices that standardize student investigation and expression of knowledge. What the five-paragraph essay has done for writing, the powerpoint has done for presentations. Standardization of practices kills innovation as well as what we used to call "voice" in writing. While we want to introduce practices that help students organize their thinking, we also want to ensure that students will have opportunities to exercise agency in their own educations. I worry about this with regard to virtual worlds. Quests and adventures could be very exciting narratives through which students might learn all kinds of subjects, but there also needs to be studios and stages, places where young people can determine how to use the environments.</p>

<p><br />
<strong>After an initial surge of interest, many schools have started to dismiss virtual worlds such as Second Life as potential distractions from the learning process. What was missed in this first wave of experimentation with virtual worlds for education? How valuable are such immersive experiences for learning? Which educational groups have been most effective at deploying virtual worlds?</strong></p>

<p><br />
<u>Maryanne:</u><br />
Of the reading I've done, the most interesting work has been in the field of medicine, not only with technical training but through experiments with virtual patients. Studies indicate that pre-service health care professionals respond to virtual patients as they would to actual ones--they have physical responses of anxiety and empathy when interacting with virtual patients.</p>

<p>With regard to virtual worlds, I think we will learn important lessons from Second Life. Before the recession there were 50+ virtual worlds emerging. I'm hopeful that we'll see lots of innovation in the development of immersive environments. What I envision happening is that schools and perhaps individual teachers will have access to virtual environments that they will be able to customize for their own uses. In the meantime, teachers should investigate virtual environments of all kinds, but especially immersive ones in order to experience how their literacy practices change when one dons an avatar. In Second Life, a teacher could join the very large and active education group and participate in virtual conferences and programs, in order to familiarize themselves with the possibilities. Teachers can visit http://simteach.com to get started.</big></p>

<p><br />
<i>Maryanne Berry enjoys a high school teaching career that has spanned a<br />
quarter of a century. The longer she teaches, the more fascinated she<br />
becomes with the ways young people learn. She is currently a doctoral<br />
candidate in the Graduate School of Education at U.C. Berkeley</p>

<p>Phil Halpern is the lead teacher of Communication Arts and Sciences, a<br />
small school within Berkeley High School, where he teaches a variety of<br />
English and communications classes. He traces his interest in media<br />
education to the weekly television news program he helped produce while in<br />
high school back in the earliest days of videotape.</p>

<p>Erin B. Reilly is the research director for Project New Media Literacies<br />
first at MIT and now at USC. She is a recognized expert in the design and<br />
development of thought-provoking and engaging educational content powered<br />
by virtual learning and new media applications, known best for her work<br />
with women and girls in Zoey's Room.</p>

<p>Jessica K. Parker is currently an assistant professor at Sonoma State<br />
University, and she studies how secondary schools integrate multimedia<br />
literacy into academic literacy learning. She has taught middle school,<br />
high school, and college students for over a decade and has also created<br />
and taught professional development courses for teachers.</i></p>]]>
    </content>
</entry>

<entry>
    <title>Video Case Study - Ethics Casebook and Media Maker Collection at Somerville High School</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/04/video-case-study---ethics-case.php" />
    <id>tag:newmedialiteracies.org,2010://12.3714</id>

    <published>2010-04-26T14:00:00Z</published>
    <updated>2010-04-26T15:32:53Z</updated>

    <summary>We recently made a video case study of some of our pilot work at Somerville High School. This video profiles Craig Leach, who conducted the Axis of Media Ethics lesson from the Digital Media and Ethics casebook, Our Space, that...</summary>
    <author>
        <name>Hillary Kolos</name>
        
    </author>
    
        <category term="Good Play collaboration" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="media literacy" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="appropriation" label="appropriation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="casestudy" label="case study" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ethics" label="ethics" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ethicscasebook" label="ethics casebook" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mediamakercollection" label="media maker collection" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="shs" label="shs" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<p>We recently made a video case study of some of our pilot work at Somerville High School.  This video profiles Craig Leach, who conducted the <em>Axis of Media Ethics</em> lesson from the Digital Media and Ethics casebook, <em><a href="http://projectnml.ning.com/page/ethics-casebook">Our Space</a></em>, that NML developed with Harvard's <a href="http://www.goodworkproject.org/research/digital.htm">GoodPlay Project</a> last year.  </p>

<p>Our goal with sharing this with you is to encourage you to use the resources we have available and create dialogue around what works, what doesn't work and how we can collaborate to improve the material.</p>

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    </content>
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<entry>
    <title>Is New Media Incompatible with Schooling?: An Interview with Rich Halverson (Part Two)</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/04/is-new-media-incompatible-with.php" />
    <id>tag:newmedialiteracies.org,2010://12.3713</id>

    <published>2010-04-13T02:48:21Z</published>
    <updated>2010-04-13T03:08:55Z</updated>

    <summary>In this second installment of my interview with Rich Halverson, we explore some of the trends impacting contemporary schooling, including the significance of home schooling, his vision for transforming schools, his research on fantasy baseball leagues as a literacy practice,...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<span class="Apple-style-span" style="font-family: Georgia; line-height: 18px; "><p style="font-family: Georgia; font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; ">In this second installment of my interview with Rich Halverson, we explore some of the trends impacting contemporary schooling, including the significance of home schooling, his vision for transforming schools, his research on fantasy baseball leagues as a literacy practice, and his thoughts on how and why schools should foster failure. As always, Halverson remains a provocative and yet substantive thinker about technology and learning.</p><strong><div><br /></div>Your book writes extensively about home schooling as an alternative to the current educational system. What advantages do home schoolers have in dealing with technological change? What are the limits of home schooling?</strong></span><div><span class="Apple-style-span" style="font-family: Georgia; "></span><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="font-weight: 800; line-height: 21px;"><span class="Apple-style-span" style="line-height: 21px;"><b><br /></b></span></span></font><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><strong><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; "><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; "><span class="Apple-style-span" style="font-weight: normal;">Home schooling is an interesting phenomena on several levels. First, it represents an effort to sever the traditional ties of institutional schooling and learning, individualizing instruction while keeping many of the curricular goals and sequences in place. Second, it cuts across cultural boundaries - many families on the left home-school for academic reasons, while families on the right home often homeschool for predominately cultural and religious reasons. Finally, the integration of technology with homeschooling may well signal a new path toward individualizing instruction in traditional schools. The predominant instructional model in the K-12 world aims toward moving students toward common learning goals, playing down individual difference in the interests of standardized outcomes. Home schooling has clear limitations - it is clearly too expensive (in terms of time, materials and money) to be conducted at scale, and the virtual curriculum used by many homeschoolers is typically based on very conventional page-turning pedagogies. But homeschool communities use technological resources to provide instructional coherence while maintaining individualized attention in ways that is would be smart for traditional school designers to watch.</span></span></span></strong></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 21px;"><br /></span></font></blockquote><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 21px;"><span class="Apple-style-span" style="line-height: 21px; font-weight: 800; ">You describe in the book some aspects of what an emerging educational system might look like. Can you share some of that vision with my readers?</span></span></font><div><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><strong><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; "><div><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 18px;"><b><br /></b></span></font></div></span></strong></blockquote></div></div>]]>
        <![CDATA[<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">The current state of education looks like an unlikely federation of uneasy partners - some for profit, others non-profit; some non-denominational, others ideological - who provide services to students without apparent coordination. NCLB legislation alone has sparked a vast expansion of third-party tutoring, assessment and coaching services that threaten schools and can be seen as competitors for future school funding. Digital media production, social networking, mobile computing, gaming and blogging operate entirely outside the control or influence of schooling. This motley collection of education services appears more like a consumer-driven market that could not cohere into a an educational system.</span></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></font></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">However, there are several key steps that might be taken to link these services together into an emergent system. We'd like to highlight two possible steps: 1) when administrative information technologies come to integrate user-driven networking practices, and 2) when some classroom subject-matter areas move to embrace digital learning tools. Schools are developing sophisticated tools for tracking student learning and teacher quality - but these systems are largely constructed about, but not for or by students and teachers. Social networks would provide a personalized complement to such systems that could link technologies designed to measure learning with tools to facilitate the activities of learners. It is not hard to imagine profile software that students and teachers could use to link educational activities, calendars, support services, interest groups, etc. The emergence of these personalized information tools may help usher in an integration of where schools are to where they might be.</span></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></font></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">In the classroom, one key indicator may be the degree to which non-tested subjects in schools embrace new approaches. Most K12 systems are experimenting with new kinds of media-based extracurricular activities and clubs. A threshold will be crossed when core instructional efforts in vocational education, arts, physical education and language programs follow the extra-curricular example toward greater integration of learning technologies. These subject areas are currently on the fence between embracing the standards-and-accountability practices of literacy and math or moving in another direction. Significant changes in these vital disciplines could serve as an example for how digital media technologies may transform teaching and learning.</span></blockquote><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; "><blockquote style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 20px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; background-repeat: repeat-y; "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; font-weight: normal; color: rgb(51, 51, 51); line-height: 1.35em; "></p></blockquote><strong><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br />In your historical account of the evolution of American education, one key difference between the apprentice and public school systems was how they dealt with the possibilities of failure. You suggest that in the apprentice system, it was taken as given that most students would learn, eventually, what they needed to know, while the public school system starts from the premise that only a small portion of the population can fully master its expectations. Many argue that we learn through failure -- through making mistakes and correcting them -- but that for this to work, we have to lower the costs of failure. How can we do this?</font></font></strong><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font><blockquote style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 20px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; background-repeat: repeat-y; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></blockquote></span><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">The idea that the apprenticeship model was successful for individual learning is by and large true. Because the master could work closely with the learner in apprenticeship, most learning failures could be mitigated or averted. In contrast, the American public school system provided little guidance for individuals to learn from local learning errors. Public schools were expected to provide opportunities for interested students to learn, and students who took advantage of these opportunities were able to progress. Public schools structures have typically lacked scaffolded support for individual learners to learn from mistakes - particularly across grades and classes. At the system level, comprehensive public high schools, community colleges and undergraduate programs addressed the learning failure issue in part by providing abundant course and program options for learners who failed in their initial efforts. But the long-term individualized attention to learning-from-failure that came with apprenticeship learning was not a part of traditional public schooling.</span></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></font></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">The issue of learning from failure in public schooling became more complicated by the civil rights movement. In the early years of public schooling, students (and families) bore the responsibility of taking advantage of educational opportunities. However, beginning in the 1950s, public education priorities in the US began to shift. The 1954 Brown decision demonstrated that providing access to educational opportunities was no longer sufficient. The War on Poverty of the 1960s and the IDEA act and reauthorizations of the 1970s-90s shifted the national discourse from the opportunities to the outcomes of learning. It was no longer appropriate for states to provide schools where students could choose to learn (or not); instead states increasingly saw their role as creating schools that guaranteed learning outcomes. The 2001 NCLB Act make these new expectations into law by holding public schools accountable for improving the learning of all students. Thus the premise of the early public school model was turned on its head - instead of a system that created opportunities for all students to succeed now expected schools reach all students successfully. Public schools as institutions were expected to take responsibility for educational outcomes, while at the same time absolving students and families from responsibility for learning.</span></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></font></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">We can either learn from failure, or try to avoid it. Connecting high stakes consequences to institutional failure has led many public schools to pursue a risk-avoidance approach to instruction. This intolerance for failure at the system level has been translated into a similar intolerance to experiment at the classroom level. Contemporary public school policies insist that all students show learning progress, which has led to dominant models of instruction that emphasize efficiency, smooth learning trajectories and predictable outcomes. Schools are often reluctant to experiment with high-yield, high-risk, instructional practices. Innovation is risky - most innovations fail, and even the ones that succeed are usually fundamentally transformed before achieving wide dissemination. The federal educational research policies that emphasize "what works" seem to take for granted that we already know what we need to know to improve learning for all students, and that what is mainly needed is thorough vetting and rigorous implementation of tried-and-true instructional practices. Still, high school dropout rates have held steady, the achievement gap has not closed significantly, and the love of learning continues to drain out of schools that emphasize "what works" over genuine inquiry. To paraphrase Thomas Jefferson, the tree of learning must be refreshed from time to time by the failures of policy makers, teachers and students. The wild market swings in digital media - in hardware, software and virtual worlds - continue to demonstrate the power of failure to spark new innovation. It seems that schools feel that walling themselves off from the digital media/learning circus will insulate a path toward eventual elimination of learning problems. A more likely scenario is that by cutting off opportunities for interesting failure, schools will continue to apply the same time-tested practices that resulted in contemporary institutional inequalities in the first-place.</span></blockquote><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; "><blockquote style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 20px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; background-repeat: repeat-y; "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; font-weight: normal; color: rgb(51, 51, 51); line-height: 1.35em; "></p></blockquote><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; font-weight: normal; color: rgb(51, 51, 51); line-height: 1.35em; "></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; "><b><br /></b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Richard, apart from this project, you've been looking at fantasy baseball leagues as a site for learning and participatory culture, seeing them as a fusion of fan and gaming culture. What insights do you think educators can gain by looking at these kinds of alternative knowledge communities?</b></font></font></p></span><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">Participatory cultures, such as fantasy sports, highlight three critically important aspects of learning missing from many school learning activities: motivation, production and legitimate audience. Fantasy sports team owners are motivated to play because they are fans, and this (typically) far-reaching set of beliefs, passions and knowledge spark owner interest in competition. The development and maintenance of a team requires owners to produce a competitive roster and to iteratively adjust their production in terms of competitive feedback within the league. Other team owners present a legitimate audience for game play - owners are praised, ridiculed, emulated or resented based on moves against other players. Because typical fantasy leagues persist for months, owners get reputations for game play within the league. Owners acquire status as players, particularly in anonymous leagues, because of their demonstrated abilities within the game.</span></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><font class="Apple-style-span" face="Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></font></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">Many school settings have features of participatory cultures as well, but the participatory culture of schooling is often unrelated to the topics learned. Students are often motivated (or not) to succeed in academic contexts for non-academic reasons; production is typically valued (if at all) as a means toward other forms of reward (grades, etc.), and academic prowess often fares miserably as a path toward peer culture acceptance. Fantasy sports communities provide existence proofs of how learning activities can intrinsically connect motivation, production and audience in assessment rich contexts. It is not a trivial task to select the kinds of tasks around which school-based fantasy leagues can be organized, although activities such as stock-market games or Model UN can bring some common structures to bear in traditional schools. The question is not really how to make a direct translation of fantasy leagues to school settings, but for this and the next generation of educators to understand how the underlying principles of these kinds of learning environments work, then to think about how to design local environments around similar principles.</span></blockquote><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; font-weight: normal; color: rgb(51, 51, 51); line-height: 1.35em; "></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; font-weight: normal; color: rgb(51, 51, 51); line-height: 1.35em; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font><em><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Allan Collins is Professor Emeritus of education and social policy at Northwestern University and formerly co-director of the U.S. Department of Education's Center for Technology in Education.</font></font></em></p><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><em></em></font></font><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 10pt; font-weight: normal; color: rgb(51, 51, 51); line-height: 1.35em; "><em><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Richard Halverson is an associate professor of educational leadership and policy analysis at the University of Wisconsin-Madison, where he is co-founder of the Games, Learning and Society group.</font></font></em></p></span>]]>
    </content>
</entry>

<entry>
    <title>Is New Media Incompatable with Schooling?: An Interview with Rich Halverson (Part One)</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/04/is-new-media-incompatable-with.php" />
    <id>tag:newmedialiteracies.org,2010://12.3712</id>

    <published>2010-04-01T17:53:03Z</published>
    <updated>2010-04-02T15:59:49Z</updated>

    <summary><![CDATA[This week, I want to use my blog to call attention to a provocative recent book,&nbsp;Rethinking Education in the Age of Technology: The Digital Revolution and Schooling in America. The authors of the book are Allen Collins, formerly co-director of...]]></summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
        <category term="media literacy" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="participatory practices" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="tech" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="classroom" label="classroom" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="educationalpractices" label="educational practices" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newmedia" label="new media" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<span class="Apple-style-span" style="font-family: Georgia; font-size: 16px; line-height: 21px; "><p style="font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">This week, I want to use my blog to call attention to a provocative recent book,&nbsp;</font></font><em><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">Rethinking Education in the Age of Technology: The Digital Revolution and Schooling in America</font></font></em><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">. The authors of the book are Allen Collins, formerly co-director of the U.S. Department of Education's Center for Technology in Education, and Rich Halverson, an associate professor of educational leadership and policy analysis at the University of Wisconsin-Madison, where he is co-founder of the Games, Learning and Society group.</font></font></p><p style="font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">I have gotten to know Halverson through the Games, Learning, and Society conference, where I will be speaking this summer, so I was curious to look at this book when it came out. Given its authors, it's no surprise that the book is well informed about contemporary debates surrounding new media and education, and like the best books that have come out in the past year or so (including those by Sonia Livingstone and S. Craig Watkins, which I have profiled here), it strives to balance between the inflated hopes of early digital advocates and the inflated fears of those who would lock technology out of the classroom.</font></font></p><p style="font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">The authors offer sage new proposals for how we might deal with the apparent tensions and incompatabilities between education as it has been conducted in this country and the new media landscape as it is lived beyond the schoolhouse gates. But the real surprise and strength of the book is the ways they are able to situate the contemporary moment of media transition in relation to the several hundred year history of American education. In doing so, we avoid the breathless sense of the "unprecidented" or "Inevitable" consequences of new media and we also avoid the sense that things have always been this way and are thus not subject to change. They show how American education's processes, policies, and structures shifted over time in response to, for example, the industrial revolution and thus give us a context for imagining the gradual yet decisive transformation of schooling which will grow out of our current moment.</font></font></p><p style="font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">I was lucky enough to get Richard Halverson to agree to an interview about the book, which I will be running over the next two installments. Much of the interview focuses on the historical insights and how they contribute to putting the present into a greater perspective.</font></font></p><p style="font-size: 10pt; color: rgb(51, 51, 51); line-height: 1.35em; "><span class="Apple-style-span" style="font-size: 16px; line-height: 21px; font-weight: bold; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">My father used to have the expression, "never let schooling get in the way of your education." You make a similar distinction across the book. In what ways is schooling getting in the way of more informal kinds of learning today and why?</font></font></font></font></font></span></p></span><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="line-height: 21px;"><span class="Apple-style-span" style="font-size: 16px; "><font class="Apple-style-span" style="font-size: 0.8em; ">Your dad's expression was really the state of the art once upon a time! The rise of institutional schooling in the 20th century- from preK to lifelong learning - can be seen as an effort to permanently weld schooling to learning. Beginning in the early 1900s, schools rooted in formal learning environments expanded to incorporate most areas informal learning as well (consider widely available classes on knitting, oenophilia and game design). On the other side, if you didn't go to a class from a recognized institution, if you didn't have some sort of certificate/credit statement of completing, then by the mid 20th century people came to question the legitimacy of your learning. This double-movement of expansion and legitimation came to define learning in terms of schooling.</font></span></span></blockquote><p></p>]]>
        <![CDATA[<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 18px; ">The digital media era began to call this definition into question. The inertia of maturing institutions meant that early design decisions got locked in place, and it became more difficult for schools to change core assumptions. Digital media provides a path to personalizing and customizing learning that is often at odds with the batch processing model of, especially, K-12 schooling. This has meant that digitally literate young people have come to understand that there are at least two living channels for learning - 1) an institutional channel, and 2) a peer-driven, interest-driven, and unregulated digital media channel. The bifurcation of learning experiences for young people is bound to call the institutional identification of schooling and learning into question in the coming years. We don't yet know the consequences of how this shift will play out, but unless schools figure out how to adapt to digital media our children may end up hearing their fathers say "remember when we went to school for an education?"</span></blockquote><div><b><br /></b></div><div><strong><span class="Apple-style-span" style="font-family: Georgia, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; font-weight: normal; line-height: 18px; "></span>You open the book with the provocative statement, "There are deep incompatibilities between technology and schooling." Explain. Are these incompatibilities insurmountable? If so, what is going to change -- schooling or technology?</strong>&nbsp;</div><div><br /></div><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">Our statement about the incompatibilities of schooling and technology was stated with a historical perspective in mind. There was a time, in the early 20th century, when schools were developed in concert with the most innovative technological advances. Schools grew up around the mass publication and dissemination of texts and the widespread availability of writing tools. More importantly, schools took full advantage of cutting-edge bureaucratic technologies. Although we now look back in horror at the eagerness with which early schools adopted industrial production and efficiency models, these then-innovative ideas provided important organizational techniques for delivering services at the scale required for the successful implementation of public schooling. It is difficult for us to remember just how daunting the task of mass schooling was for early school designers, who grew up with personalized pedagogies, one-room schoolhouses and agricultural-based school calendars. Early public schools took full advantage of cutting-edge technologies to gain quick and sure foothold in the American psyche.&nbsp;</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><br /></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">Schools that emerged at the advent of the 21st century were, in a sense, victims of the success of the prior generation's technology, and found it very difficult to adapt to new models of information production and exchange sparked by the Internet. Technological developments later in the century, such as computing and digital media, provided a level of individualization that ran directly counter to the mass-production technologies from earlier in the century. The new information technologies that have been easiest to adapt to prior industrial models, such as standardized testing, have made the most headway into established school practices. The technologies that called on schools to alter the basic classroom relationships between teaching, learning and curriculum have met with the most difficulty. The conclusion we want to draw is that schooling and technology are not necessarily opposed, but instead are necessarily related. When considered over time, we can see the effects of institutional resistance are a consequence of the embrace of prior technologies, rather than a simple opposition of stodgy old schools to hot new technologies.&nbsp;</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><br /></blockquote><strong>Our current educational system emerged gradually overtime in response to the pressures of the industrial revolution. What parallels can we draw between the ways the current structure took shape and the prospects of transforming education to reflect the information/knowledge revolution your book describes?</strong><div><br /></div><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">We propose that the "seeds of a new system" are already emerging as pieces of an alternative approach to education. Home schooling, for example, provides a technologically-driven alternative to institutional schooling. Distance education and your idea of participatory cultures organized around a transmedia complex provide powerful alternative visions for education. The main difference between the eras is that the 1800s system seeds such as kindergarten, common schools, textbooks and land-grant universities, converged in an era without a monolithic institution already in place. It is a much different problem to define than to redefine an institution.</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><br /></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">We feel that digital media will continue to spark alternative forms of learning environments and to push for change in traditional learning institutions. We must not underestimate the tenacity of our collective belief in the transformative power of education. Without a civil religion, common belief in education is as close as Americans come to a common creed. If we come to feel that digital media need to be a core aspect of the learning experience of our youth, then we will re-make our institutions accordingly. As a culture, though, we seem to carry ambiguous feelings about the value of digital media for learning. For every advocate who extols the potential of media production, programming, game design or social networking, concerned citizens highlight the dangers of porn, digital bullying, appropriate use policies, child predation and, of course, GTA. This split in the perception of the value of digital media and culture may, in the mean time, create a new kind of digital divide along cultural, rather than demographic, lines. Further, locating these alternative, digital-based approaches to learning outside of public education means that families with the interest and wherewithal will access new forms of learning will, and those who won't or can't will not.&nbsp;</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><br /></blockquote><small>Allan Collins is Professor Emeritus of education and social policy at
Northwestern University and formerly co-director of the U.S. Department
of Education's Center for Technology in Education.&nbsp;</small><div><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 11px;"><br /></span></font></div><div><small>Richard Halverson is an associate professor of educational leadership
and policy analysis at the University of Wisconsin-Madison, where he is
co-founder of the Games, Learning and Society group.</small><div><strong></strong></div></div><div><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 11px;"><br /></span></font></div>]]>
    </content>
</entry>

<entry>
    <title>Notes from Home Inc. Media Literacy Conference: Part Two</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/03/notes-from-home-inc-media-lite.php" />
    <id>tag:newmedialiteracies.org,2010://12.3711</id>

    <published>2010-03-11T15:07:32Z</published>
    <updated>2010-03-12T15:32:13Z</updated>

    <summary><![CDATA[Here is the second (and long overdue!) post about the Home Inc Media Literacy Conference that took place at MIT last November.&nbsp; Video of our workshop on appropriation and remixing has been posted so we wanted to share it with...]]></summary>
    <author>
        <name>Hillary Kolos</name>
        
    </author>
    
        <category term="Learning Library" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Teachers Strategy Guide" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="media literacy" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="participatory practices" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="appropriation" label="appropriation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="conference" label="conference" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="homeinc" label="home inc" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mobydick" label="Moby-Dick" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="remix" label="remix" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="remixing" label="remixing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="teachersstrategyguide" label="Teachers&apos; Strategy Guide" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="transmedianavigation" label="transmedia navigation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tsg" label="TSG" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<p>Here is the second (and long overdue!) post about the <a href="http://www.homeinc.org/">Home Inc</a> Media Literacy Conference that took place at MIT last November.&nbsp; Video of our workshop on <i>appropriation </i>and remixing has been posted so we wanted to share it with those of you who weren't able to make it to the conference.&nbsp; <br />
<br><embed src="http://blip.tv/play/AYHEphwC" type="application/x-shockwave-flash" width="480" height="390" allowscriptaccess="always" allowfullscreen="true"></embed>

<p>Keep reading for a run down of the workshop and relevant links.</p>]]>
        <![CDATA[<p><br />
Erin starts the workshop with an overview of NML's approach, focusing on how the 4 C's (circulate, connect, create, and collaborate) can be enacted in curriculum.  She also mentions several Web 2.0 tools that could be handy in the classroom like <a href="http://www.wordle.net/">Wordle </a>and <a href="http://www.bitstripsforschools.com/">BitStrips</a>.  </p>

<p>Erin shows a great video profile of <a href="http://www.edutopia.org/digital-generation-profile-jalen">12 year old appropriation enthusiast Jalen</a> from Edutopia.org's <a href="http://www.edutopia.org/digital-generation">Digital Generation</a> project.  </p>

<p>After Erin's introduction, I take the stage to model a lesson about remixes.  We start by talking a little about what a "remix" is and then go through the <a href="http://www.newmedialiteracies.org/library/#/challenge/40">Total Recut: Transformation</a> challenge in the Learning Library.  </p>

<p>We get a little sidetracked at this point because the audience had really important questions about using copyrighted material in classrooms.  (<a href="http://newmedialiteracies.org/blog/2009/11/notes-from-the-home-inc-media.php">I talk more about copyright in my first post about the Home Inc conference</a>.)</p>

<p>Then I do a short overview of the <a href="http://newmedialiteracies.org/educators/"><em>Teachers' Strategy Guide: Reading in a Participatory Culture</em></a> and how it relates to using remixes in content areas -- in this case English Language Arts.  In this Teachers' Strategy Guide we present the classic novel Moby-Dick as a remix and show how it has, in turn, been remixed in comic books, movies, heavy metal concept albums, and even <a href="http://www.youtube.com/watch?v=ZW76mvaaXEc">nerdcore rap videos</a>!</p>

<p>The last part is a little hard to follow on the video, but we have the participants get out of their seats and make remixes answering the question "What does a 21st century teacher look like?"  using old school materials - magazines, scissors and glue.  </p>

<p>We hope this session helps you better understand the NML skills <em>appropriation </em>and <em>transmedia navigation</em> and maybe even gives you some ideas about how you could use remixing in your own classroom.  </p>

<p>We'd love to hear in the comments section below about how you've used remixes in the past or would like to in the future!  </p>]]>
    </content>
</entry>

<entry>
    <title>Boston Area Educators Share Practices Using Web 2.0</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/03/boston-area-educator-share-bes.php" />
    <id>tag:newmedialiteracies.org,2010://12.3709</id>

    <published>2010-03-09T16:00:00Z</published>
    <updated>2010-03-12T17:25:05Z</updated>

    <summary>I recently attended an event at the Institute of Contemporary Art (ICA) in Boston as a member of the Regional Youth Media Arts Education Consortium (RYMAEC) that gave educators using web 2.0 technologies (and beyond) the opportunity to share best...</summary>
    <author>
        <name>Vanessa Vartabedian</name>
        
    </author>
    
        <category term="media literacy" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="participatory practices" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="bestpractices" label="best practices" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="icaboston" label="ICA Boston" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mediaeducation" label="media education" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rymaec" label="RYMAEC" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="youth" label="youth" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[I recently attended an event at the Institute of Contemporary Art (ICA) in Boston as a member of the Regional Youth Media Arts Education Consortium (RYMAEC) that gave educators using web 2.0 technologies (and beyond) the opportunity to share best practices with one another. <a href="http://www.rymaec.org/">RYMAEC</a>'s mission is to create a community of Boston area individuals, organizations, and community-based groups committed to supporting and strengthening the youth media arts field through exchanging information, resources, and youth-produced media.<br>
<br>
The event was Pecha-Kucha style, where all but the special presenter had roughly 3-minutes to share their practice and an example of how students or teachers were using it. Kindly, after the event, which was held in the museum's theatre, the curtain was raised, revealing the glass wall which serves as the stage's back-drop, where the Boston Harbor in it's winter glory was the scenery for networking with peers, discussing best practices and partaking in drink and food.<br>
<br>
The consortium (and event) is the initiative of Joe Douillette, a long-time advocate and youth media educator and director of the successful <a href="http://www.icaboston.org/programs/learn/fast-forward/">Fast Forward</a> video production program for teens, also housed at the ICA, and a member of our very own NML community.<div><br></div>
<div>The presenters at this event consisted of RYMAEC members and peers. Below is a list of presenters and links to their content, web 2.0 tools and examples of some work that span content area and differentiated uses of technologies.</div><br>]]>
        <![CDATA[The guest speaker, Kara Oehler, co-creator of <a href="http://www.mappingmainstreet.org/">Mapping Main Street</a>, showed how classrooms are taking up this project across curriculum as students and individuals alike "map" the Main Streets of America in their own unique ways. You can see a video of her presentation, as well as the links to all the presentations, on the RYMAEC website at:
<a href="http://www.rymaec.org/node/330">http://www.rymaec.org/node/330</a>. Check it out! and post your own examples of how you and your students use Web 2.0 technologies for innovative teaching and learning.<br><div><br></div>
<h1 class="pageTitle" style="margin-top: 0em; margin-right: 0em; margin-bottom: 10px; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-transform: lowercase;"></h1>
<p style="text-align: left;"><img src="http://api.ning.com:80/files/XbLhfjsIBI4euhS5pWm-XXS*yfZed8wv3dWntycuhH2csZb*sQS8ZzAMODPyUghAo*vtzGk1y6Lu0fs1yifhnyuX-vsg9HJt/Promo_Image_1.jpg" alt=""></p>
<h1 class="pageTitle" style="margin-top: 0em; margin-right: 0em; margin-bottom: 10px; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-transform: lowercase;"><span class="Apple-style-span" style="font-size: medium;">web 2.0pen mic - march 2010</span> <span class="Apple-style-span" style="font-family: 'Lucida Grande', Arial, sans-serif; text-transform: none; color: rgb(94, 94, 94);"><span class="Apple-style-span" style="font-size: medium;"><a href="http://www.rymaec.org/node/330">http://www.rymaec.org/node/330</a></span></span></h1>
<div class="node" style="margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; clear: none;"><div class="content" style="margin-top: 5px; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;"><p style="margin-top: 0em; margin-right: 0em; margin-bottom: 1em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; line-height: 1.8em; text-align: left; clear: both;"></p>
<p style="margin-top: 0em; margin-right: 0em; margin-bottom: 1em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; line-height: 1.8em; text-align: left; clear: both;"></p>
<ul>
<li><span class="Apple-style-span" style="font-weight: bold;">Featured speaker: Kara Oehler <span class="Apple-style-span" style="font-weight: normal;"><a href="http://www.mappingmainstreet.org/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">Mapping Main Street</a></span></span></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Dave Crusoe</strong> - <a href="http://www.boolify.org/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.boolify.org</a>, <a href="http://www.plml.org/multitool" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.plml.org/multitool</a>, <a href="http://www.plml.org/glean" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.plml.org/glean</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Elizabeth Maclaren</strong> - <a href="http://voicethread.com/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://voicethread.com/</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">L'Merchie Frazier</strong> - <a href="http://www.maah.org/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.maah.org</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Ellie Kutz</strong> - <a href="http://www.umbwiki-users.wikispaces.umb.edu/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.umbwiki-users.wikispaces.umb.edu</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Mary Simone</strong> - <a href="http://www.wikispaces.umb.edu/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.wikispaces.umb.edu</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Nettrice Gaskins</strong> - <a href="http://netarthud.wordpress.com/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://netarthud.wordpress.com/</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Danielle Martin</strong> - <a href="http://www.verdesmoke.com/tags/thesis" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.verdesmoke.com/tags/thesis</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Monika Aldarondo</strong> - <a href="http://baahuml.ed.voicethread.com/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://baahuml.ed.voicethread.com</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Matt Landry</strong> - <a href="http://registryoffools.org/mediaction" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://registryoffools.org/mediaction</a>, <a href="http://www.soundcloud.com/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.soundcloud.com</a></li>
<li><strong style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em;">Nora Dooley</strong> - <a href="http://aoaradiohistorypodcast.blogspot.com/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://aoaradiohistorypodcast.blogspot.com</a>, <a href="http://www.inventorsnotebookatrium.blogspot.com/" style="margin-top: 0em; margin-right: 0em; margin-bottom: 0em; margin-left: 0em; padding-top: 0em; padding-right: 0em; padding-bottom: 0em; padding-left: 0em; text-decoration: none; color: rgb(94, 126, 174);">http://www.inventorsnotebookatrium.blogspot.com</a></li>
</ul>
<p></p>
<p></p>
</div>
</div>
</div>]]>
    </content>
</entry>

<entry>
    <title>NML at the &quot;Diversifying Participation&quot; Conference</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/03/nml-at-the-diversifying-partic.php" />
    <id>tag:newmedialiteracies.org,2010://12.3706</id>

    <published>2010-03-05T16:00:00Z</published>
    <updated>2010-03-05T17:31:01Z</updated>

    <summary><![CDATA[Almost the entire NML research lab headed west to California two weeks ago to participate in the Digital Media and Learning:&nbsp;"Diversifying Participation" conference; and since this is a transition year where we're spread over the US from east to west...]]></summary>
    <author>
        <name>Erin Reilly</name>
        
    </author>
    
        <category term="Learning Library" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Teachers Strategy Guide" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="media literacy" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="speaking engagements" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="digitalmedia" label="digitalmedia" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dmlconference" label="DMLconference" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="globalkids" label="globalkids" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newmedialiteracies" label="New Media Literacies" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="reading" label="reading" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="scratch" label="Scratch" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="smallabs" label="SmaLLabs" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="teachersguides" label="teachers&apos; guides" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="visualization" label="visualization" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[<font style="font-size: 1em;" color="#000000"><font size="2">Almost the entire NML research lab headed west to California two weeks ago to participate in the <font color="#000000" size="2">Digital Media and Learning:<font color="#000000">&nbsp;<font size="2">"Diversifying Participation"</font></font> conference; and since this is a transition year where we're spread over the US from east to west -- it was nice to get everyone together in one place.<br /></font></font></font><ul><li><font style="font-size: 1em;">I presented with Flourish Klink and Barry Joseph from Global Kids on <b>Mad Skills: <i>Making New Media Literacy practices accessible to educators and students alike</i></b>. This provided us time to dialogue with participants on a Worked Example that is in progress.&nbsp; We are writing and editing videos from the field of our observations on how the Media Makers Collection in the Learning Library was taken up and adapted into Global Kids' Media Masters program.&nbsp; <a href="http://techtv.mit.edu/collections/newmedialiteracies/videos/5572-mad-skills-making-new-media-literacy-practices-available-to-teachers-and-students-alike-">Here is the video presentation</a>.&nbsp; And after the presentation, we had everyone participate in a scavenger hunt game which had participants dialogue on the questions we posed in the presentation and situate it into their own contexts of learning.</font> <br /></li></ul><ul><li><font style="font-size: 1em;">I joined James Bosco, Milton Chen, Margaret Weigel and Christine Greenhow on a panel about <b>Participatory Learning in Schools: <i>Square Peg in Round Hole?</i>&nbsp;</b> It was a </font><font style="font-size: 1em;">pleasure to be part of such a
diverse group of panelists.&nbsp; We each took 8 minutes to share insight
into what are some of the critical sticking points that need to happen
to change schools in order to provide a space for participatory
learning. We then opened it up for a lively discussion.&nbsp; Some key
take-aways for me included Jim encouraging us to unite and create a
strong policy voice to help change the structure of schools where
Milton reminded us that this change will happen by a grass-roots
effort; that there is already great examples of participatory learning
but they are segmented and lost in the shuffle.&nbsp; Margaret shared
insights from interviews with teachers and the constant tension between
school culture, even with the most innovative teachers.&nbsp; I shared our
recent findings from our field work with 7 schools on the Teachers'
Strategy Guide: Reading in a Participatory Culture and suggested some
design principles to consider in how to create a new school culture.&nbsp;
And Christine closed with advocating for more research in this area
...one we all agree is needed.</font></li></ul><font style="font-size: 1em;"></font><ul><li><font style="font-size: 1em;">Alice Cavallo, NML's Curriculum Specialist, chaired with Sasha Costanza-Chock to create a panel on <b>Digital Media Production and Social Change</b>.&nbsp; Alice shared insights into her dissertation on Virtual Forum Theater (VFT), <span dir="ltr" id=":u5">an animation tool that allows the
creation of digital plays as a vehicle to convey and discuss unjust
social sketches. Alice <a href="http://www.slideshare.net/alicemello47/virtual-forum-theater">shared stories</a> of how VFT connects youth from any part of the world expanding
the importance of role playing as a way of understanding interpersonal
and political struggles </span><span dir="ltr" id=":ua"> in order to foster social changes</span><span dir="ltr" id=":u5">.</span> Through these stories, she made connections to how the new media literacies, <span dir="ltr" id=":tz">play, performance, judgment, negotiation and collective intelligence</span>, are present in participating in VFT.<br /></font></li></ul><font style="font-size: 1em;" color="#000000">There
were many sessions to choose from during the 2 days.&nbsp; Mark Danger Chen
has</font>]]>
        <![CDATA[<font style="font-size: 1em;" color="#000000">crowdsourced many different resources, notes and links from people
who participated.&nbsp; So, if you weren't able to join in person and want
to take a look under the hood, <a href="http://markdangerchen.net/2010/02/21/digital-media-and-learning-conference-resources/">check out this link</a>.<br /><br /><font size="2">I'd like to highlight two sessions that I found very interesting and also relevant to NML's current research.<font color="#000000" size="2"><br /></font></font></font><ul><li><font style="font-size: 1em;" color="#000000"><font size="2"><font color="#000000" size="2"><b>Cultivating Creativity and Criticality in Schools and After-School Programs with Scratch</b>.&nbsp; Not only is <a href="http://scratch.mit.edu/">Scratch</a>
a wonderful program that exemplifies the new media literacies but this
research group is pondering some of the critical questions they we too
are exploring -- including "How can we create numerous entry points for
different users while still drawing on the best of creative
practices?"&nbsp; And a follow up question of, "In setting up these entry
points, how do we design them so that the entire program is still open
and participatory?"</font></font></font></li></ul><ul><li><font style="font-size: 1em;" color="#000000"><font size="2"><font color="#000000" size="2"><b>Data Visualization for K-12 Learning</b>.&nbsp;
In 2009, we added Visualization to our list of new media literacies.&nbsp;
We define visualization as the ability to interpret and create data
representations for the purposes of expressing ideas, finding patterns,
and identifying trends.&nbsp; Graphical data such as maps and graphs to
newspaper statistics to scientific models have long been a part of
everyday literacy. However, we are now entering an era where new
technologies are bringing quantitative data analysis into more parts of
our daily lives.&nbsp; Each participant shared their different tools or
processes they use such as Global Kids <a href="http://olpglobalkids.org/media_masters/">Digital Portfolios</a> to <a href="http://vimeo.com/3968996">SmaLLabs</a> emotion map diagram.&nbsp; NML is also exploring visualization in the design of the <a href="http://newmedialiteracies.org/library/">Learning Library</a>
and we look forward to continued discussions with questions we were
left to think about, including: How can I make my data accessible to
other researchers using other tools?, How can we best improve
interoperability to advance the field? and How can we get meaningful
participation from designers, researchers, stakeholders and data
visualization experts?&nbsp; </font></font></font><font style="font-size: 1em;" color="#000000"><font size="2"><font color="#000000" size="2"><br /></font></font></font></li></ul><font style="font-size: 1em;" color="#000000"><font size="2">But the most thought-provoking was given by the end keynote, <a href="http://www.lse.ac.uk/collections/media@lse/whosWho/soniaLivingstone.htm#generated-subheading1">Sonia Livingstone</a>.&nbsp;
The two day conference provided designers, researchers, policy makers,
and practitioners to come together to share stories and experiences in
this emerging digital media and learning field.&nbsp; It was a warm and
inviting place to be, surrounded by colleagues all excited about the
possibilities of what we've done and what's to come.&nbsp; But Sonia had us
all do a reality check.&nbsp; She posed challenging questions for us to
think about, like </font></font><font style="font-size: 1em;" color="#000000"><font size="2">"What is it we want youth to learn? Not what is it we want them to participate in?"&nbsp; A</font></font><font style="font-size: 1em;" color="#000000"><font size="2">nd, reminded us that we need to see with a critical eye.<br /><br />As chair of the conference, <a href="http://henryjenkins.org/">Henry Jenkins</a>,
the critical utopian that he is, reinvigorated the conference
participants with encouragement to take on the challenges Sonia
suggested, but not let the air out of the balloon.&nbsp; He reminded us that
diversifying participation is crucial and that we need to invite new
voices to the conversation by choosing one person or one group removed
from the work that we do and make a real commitment to dialogue and
create together.&nbsp; <br /><br />And to do that, I close this post with
encouraging anyone reading that <b>we are eager to learn from you... How
are you addressing or thinking about some of the questions posted above?</b></font></font>]]>
    </content>
</entry>

<entry>
    <title>Learning in a Participatory Culture: A Conversation About New Media and Education (Part Three)</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/02/learning-in-a-participatory-cu-3.php" />
    <id>tag:newmedialiteracies.org,2010://12.3704</id>

    <published>2010-02-12T23:10:51Z</published>
    <updated>2010-02-12T23:15:11Z</updated>

    <summary>This is the third part of my interview with Spanish educational researcher Pilar Lacasa for Cuadernos de Pedagogia, a Spanish language publication, about my research on the New Media Literacies. This time we talk about the relations between old and...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[This is the third part of my interview with Spanish educational researcher Pilar Lacasa for <i>Cuadernos de Pedagogia</i>, a Spanish language publication, about my research on the New Media Literacies. This time we talk about the relations between old and new media and explore how YouTube, fan fiction and Facebook can be deployed in meaningful ways through school.<br /><br /><b>So far, we have been talking about new media, but it is clear that they do not replace the old ones.</b><br /><br />Almost never do schools think about the relationships between new and old media. Some people may have the idea that some of them will replace the old ones. A study of American college students preparing to enter ten different professions found that educators in training were the least likely to play videogames or participate in social networks. Teachers have defined themselves as defenders of book culture, often in what they perceive as opposition to the new digital culture. This protective stance no doubt reflects the rhetoric of the digital revolution which imagined that new media was going to displace if not destroy old media. And thus, for digital culture to thrive, book culture must die.<br /><br />In fact, the opposite has happened. The new media has built upon and around existing modes of communication. The average person has access to a greater array of different books now than ever before thanks to online book dealers. The average teen writes more, thanks to e-mail and online discussion forums, than the previous generation. We will live in a world where books and printed matter still matters even as students get more information from computers than ever before. They are going to need to go where the information is, know how to assess the reliability of information which comes without comfortable gatekeepers, and be able to communicate their ideas through many different channels to many different publics. <br /><br /><b>Therefore we need to use multiple media.</b><br /><br />This situation doesn't allow us to make any easy choices between teaching print and digital literacy: students clearly need both and more importantly, they need to understand the relationship between the two. They need to understand the different structures through which traditional encyclopedias and Wikipedia produce and evaluate information, for example. They need to be able to read charts, maps, and graphs, but also to be able to produce and interpret information through simulations. They need to be able to express themselves orally, with pens and paper, and with video cameras and digital editing equipment.<br /><br /> ]]>
        <![CDATA[Many of them are already acquiring such skills outside of the classroom through informal learning practices that thrive in this participatory culture but others are being left to be raised by wolves, not able to find their way into generative practices and supporting communities, and acquiring none of the ethical norms that might govern their future activities. Howard Gardner's Good Play Project at Harvard found that many young people don't apply ethical standards to their online conduct because they don't believe that what they do online matters. We can see this as an ironic response to adults who have dismissed such activities as worthless or meaningless, rather than asking questions about how or what they are learning through their participation in this practices, recognizing their accomplishments, or advising them on their ethical conflicts.<br /><br />Schools, libraries, and other educational institutions need to be both embracing the potentials and confronting the challenges of this emerging culture not as a replacement for existing print practices but as an expansion of them.<br /><br /><b>Can we think then that schools lose many of learning opportunities supported by new media?</b><br /><br />New Media platforms, such as YouTube, have expanded our access to the rich archives of existing sounds and images from the past. We have access now to recordings that were once buried in the archives but which we now can summon up at a moments notice. We can navigate the entire media scape on the fly, at a second's notice, in response to the flow of a classroom discussion.<br /><br />We could, at least, if schools were not often blocking access to these very same tools and platforms out of fear of inappropriate content or risky forms of participation. Talk about cutting off your nose to spite your face! It is as though we were closing all the libraries out of concern that young people might track down the pictures of topless women in National Geographic!<br /><br />Beyond that, the new media tools allow young people to edit and respond critically to those moving images in new ways, to create presentations which have the explanatory power of well crafted documentaries, though again, they are often blocked by schools who are uncertain about the legalities of copyright protection and thus unwilling to allow them to remix and recontextualize content. So, right now, at least in American schools, and in many other counries around the world, the opportunities afforded us by these new digital archives are being shut off through school policies that are born more from fear and uncertainty than from reasoned pedagogical goals. <br /><br /><b>Maybe your idea of transmedia phenomenon may be a way to explore opportunities offered by the media. For example, teaching students how to write narrative texts when using the Harry Potter books, movies or video games.</b><br /><br />What I'm describing as transmedia storytelling has been a fundamental part of human expression since the dawn of time. Certainly we need young people to develop a critical understanding of how contemporary media franchises like Harry Potter operate, both recognizing the aesthetic opportunities for authors to construct worlds which are bigger than single texts or even single media, but also understanding the commercial imperatives which are marketing extensions of popular stories to them.<br /><br />But this idea of transmedia might also help us to understand the world of the church in the middle ages, say. Unless you were literate and in the priesthood, you would not have experienced the stories of the Bible through a single text. Instead, those stories would surround you, conveyed through every available communications system. They would be performed on carts, expressed through stainglass windows and the structures of cathedrals, painted on the ceilings, proclaimed from the pulpet, and sung by the choir. Go back even further and think about the early cave paintings which historians believe were used as sites of performance: the live storyteller interacting with the painted image to convey the experience of the hunt. So, the earliest representations we have might have been part of a transmedia experience.<br /><br />Many of the works we teach took elements of oral culture and translated them into printed prose, again suggesting that we need to understand how stories move across media if we are going to understand why and how humans tell stories. Too often, teachers have been indifferent about media, teaching the texts of plays without regard to the conditions of their performance, for example. But now, we want teachers to explore art and literature with a heightened awareness of the media through which they were produced, distributed, and consumed.<br /><br /><b>And what about social networks, a new widespread medium of communication among young people and also among many adults?</b><br /><br />One way to understand the new power of social networks is to understand what roles these platforms and practices played in the recent Obama presidential campaign. A traditional political website works by linking individual voters to the campaign; a social network site works by linking voters to each other. At a certain point, Obama's supporters were able to take over much greater control of the political campaign. They could organize local events quickly without having to go through the centralized campaigns. They could pool resources, each member contributing what skills they could, to the shared effort. Once he's in office, they can continue to mobilize in response to public policy debates or rally around other candidates who share their vision of progressive change for the country.<br /><br />These social network sites are transforming the nature of civic engagement and participation. Young people need to learn how to become a part of these powerful new kinds of communities, need to know how to navigate through social networks to connect with people who have skills and knowledge that they need, need to understand the ethics of social life within these networks, and need to understand the risks as well as the opportunities of interacting with people they do not know face to face. The Obama campaign worked at both the national and the local level, but these social networks now work on a global scale.<br /><br /><b>What is the role that these networks can play in schools?</b><br /><br />Schools have long used pen pal programs to connect their students with children from other parts of the world. The deployment of social networks through education allows young people ongoing interactions with a global community of learners who share common interests and goals; it allows schools to dramatically expand the human resources they can draw upon in their ongoing pedagogical activities. As we think of social networks as sites of learning, we can see two levels of pedagogy -- acquiring access to the broader range of expertise supported by the networks and acquiring the skills needed to deploy social networks for a variety of purposes in the future.<br /><br />As with all of the new literacy practices we are discussing here, some youth will have extensive experience deploying social networks outside of school and deploying them in the classroom will allow them to direct that experience towards mastering new content, while other youth will not know how to work through social networks and schools can provide them with a safe, supervised context for mastering those skills.]]>
    </content>
</entry>

<entry>
    <title>Learning in a Participatory Culture: A Conversation About New Media and Education (Part Two)</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/02/learning-in-a-participatory-cu-2.php" />
    <id>tag:newmedialiteracies.org,2010://12.3703</id>

    <published>2010-02-10T23:04:40Z</published>
    <updated>2010-02-12T23:15:44Z</updated>

    <summary>Last time, we ran part one of a four part interview I did with Spanish educational researcher Pilar Lacasa for Cuadernos de Pedagogia, a Spanish language publication, about my research on the New Media Literacies. This time, we dig deeper...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[Last time, we ran part one of a four part interview I did with Spanish educational researcher Pilar Lacasa for <i>Cuadernos de Pedagogia</i>, a Spanish language publication, about my research on the New Media Literacies. This time, we dig deeper into the concepts of participatory culture and the participation gap and talk about how the new media literacies can impact how we teach literature.<br /><br /><b>Is there anything really new in the idea of new literacies? Is it different from other processes such as reading and writing much more related to the printed materials? </b><br /><br />Yes and No. In many ways, they are expansions of skills we've always taught which is why many of them will feel familiar to teachers and will fit comfortably within existing disciplines. In some ways, they represent the expansion of research skills into the more diverse information environment or an extrapulation of what it means to read and write to cover a broader range of communication practices.<br /><br />But they also reflect habits of mind that emerge in response to networked communications or a converged media landscape. So, there is a much greater emphasis on literacy as a social and collective rather than an individual practice -- on learning to collaborate and exchange knowledge with others. There is a greater emphasis on the challenges of moving through a dispersed media landscape, interacting with groups who come from different backgrounds, shift attention between multiple channels of communication, or deploying different tools for processing information. These new skills do not so much emerge from new technologies as from new social, cultural, and educational opportunities that have emerged around those platforms.<br /><br /><b>Perhaps there is a generation gap when people use new media.</b><br /><br />There are certainly generational differences in our experience and comfort with these new Technologies and their affiliated practices. Most adults encountered the computer first in the workplace, where-as many young people encountered it first in the home or the school. They approached it with different goals and expectations which means that they understand it in fundamentally different ways.<br /><br /> ]]>
        <![CDATA[It isn't just that young people have grown up with the technology while adults came to it later in life. They have a totally different attitude towards what a computer is and the place it holds in their lives. That said, we have to be careful about drawing too sharp a generational dividing line here. First, the most powerful forms of participatory culture are those where adults and young people interact together in more fluid ways than would be found at school, work, church, or home. They are motivated by shared interests; they actively seek to learn from each other; and they are valued less on their age than on what they can each contribute. When we assume adults are locked out of the digital realm, we close off those opportunities for transgenerational experiences.<br /><br />Second, we need to be careful about assuming that all young people have had access to the full benefits of the digital age. There are many inequalities not simple in terms of access to the Technologies but also in terms of opportunities to participate. That's what I call the participation gap. Some young people have been invited into the digital realm and feel free to express themselves there in as public a manner as is possible, while others feel excluded, cut off.. They don't understand how participatory culture works; they haven't been encouraged to participate; they don't think anyone will care what they have to say.<br /><br /><b>What could do educators to overcome these participation gaps?</b><br /><br />Educators have key roles to play here in terms of creating a space where those who have been previously excluded can be welcomed into the new knowledge communities and can find their voice through the emerging participatory culture. But to perform those roles, they need to overcome their own fears and uncertainties about the digital World. They have to learn about the online world the way many young people have learned about it -- through active participation. They need to experiment with the various tools and platforms; they need to find a community which shares their interests and passions and plung into it deeply so they know what it is like to share knowledge through a social network and to create things through dispersed collaboration.<br /><br />To do this, they may well need to sit down with a young person they know who is deeply immersed in this world and seek their advice and mentorship, reversing the normal role in the classroom, learning from their students or their children. In doing so, they will be trading different kinas of expertise -- matching the exploratory spirit of youth with the experience and wisdom of adulthood. But they need to avoid closing off the communication and learning too quickly by assuming that they already know everything the young person is going to teach them.<br /><br /><b>In these new contexts of communication we not only speak about Participatory Culture but also about Convergence Culture.</b> <br /><br />When people in the media industry use the term convergence they are often talking about a technological process -- the bringing together of multiple media functions, the uniting of multiple communication channels through a single device. Imagine say the iPhone as a tool which performs many different media functions -- from playing games to taking photographs -- and connects us to different networks -- from telephone to the internet. That's often what gets described as a convergence device.<br /><br />I want to argue though that convergence is also a cultural process, one where stories, ideas, images, move across all media platforms, shaped both by the desire of companies to expand markets and by the desire of consumers to gain easier access to meaningful media. In many ways, it doesn't matter whether or not our tools are talking to each other; we are forming an integrated information ecology in our heads. Storytellers are learning to disperse information and experiences across media platforms, encouraging their readers to explore and map the storyworld through a series of encounters. Educators are discovering that we learn or do research in a similar manner, putting together dispersed pieces from many different media platforms, to form a coherent picture of the world around us. So, teachers need to encourage students to develop a core competency in transmedia navigation.<br /><br /><b>Are any specific skills necessary to take part of this new Participatory and Convergent Culture?</b><br /><br />Transmedia navigation is simply one of a range of new competencies which we think schools should be exploring. In a white paper I helped to write for the MacArthur Foundation, we identified a series of core skills and competencies which we think are needed for young people to be able to fully enter the new participatory culture. These skills include the ability to deal with simulations and visualizations, the ability to explore the environment through play and identity through performance, the ability to deploy information appliances and social networks in processing information, and the ability to negotiate around cultural differences encountered in diverse online communities. Project NML has been developing a range of resources to help educators acquire and promote these new skills.<br /><br /><b>Could you explain what are those resources developed in the project New Media Literacy?<br /><br /></b>Our Learning Library, for example, provides a range of pedagogical challenges (a cluster of activities which allow young people to encounter, explore, experiment with, and ethically evaluate some of the emerging media practices.) which illustrate and embody the 12 skills. The library's resources are modular, so that they can be appropriated and used in a range of contexts from home schoolers to formal educators. They are multidisciplinary so that teachers can take ownership over those skills which are central to their own disciplines and thus we can integrate these skills across the curriculum.<br /><br />The library is designed as an open platform which allows educators and students not simply to consume existing activities but also to contribute their own, sharing what works in their classrooms with other educators, appropriating and remixing each other's content so that we can all learn from each other. In other words, the learning library takes seriously what I've already said here about participatory culture and collective intelligence.<br /><br /><b>Who can use this library?</b><br /><br />We are encouraging different organizations to develop their own collections for this library and are especially excited at the prospect of educators from many different countries sharing something of their own media cultures and practices through the library, allowing us to explore and learn on a global scale. I'd like to personally invite Spanish educators to try their hand at developing challenges which reflect your local educational and cultural practices.<br />What could be role of the curriculum content in learning new literacies?<br /><br />My philosophy has been to be conservative in content and innovative in method. That is to say, we believe that these skills have something to contribute to even the most traditional of curriculum and that they are relevant across the full range of school subjects. Every field of knowledge today has been reshaped through the changes that have impacted our information environment. Scientists and social scientists for example regularly work with digital simulations and new modes of visualization as they process their data, yet these practices have scarcely impacted the way science and social science get taught in schools. Contemporary artists and writers are deploying remix practices that transform how they think about authorship but these insights about creativity have scarcely made it into the language arts classroom.<br /><br /><b>Could you mention some examples of how the curriculum can be introduced by using methodologies emerging from these new environments?</b><br /><br />Through our Teacher Strategy Guides on Reading in a Participatory Cultture and Mapping in a Participatory Culture, we've been modeling new ways for integrating these skills into the classroom. For example, our Reading project took the American novel, Moby-Dick, as its starting point, seeking to better understand how its author, Herman Melville, created through borrowing and recontexualizing stories found in Homer, the Bible, Shakespeare, and contemporary whaling lore, as the basis for his own creative expression.<br /><br />We also explore how subsequent artists and authors have used Moby-Dick as a starting point for their own creation and thus how Melville has exerted a living presence in our contemporary culture. In doing so, we encourage students not simply to critically read but also to creatively rework elements from the novel to reflect their own perspectives on the issues Melville raises. And we encourage them to reflect on the ethics of appropriation -- what artists can take freely, what obligations they owe to previous generations, and so forth.<br /><br />I'd imagine that this same approach might be applied productively to Cervantes. Don Quixote is a novel which centers around the imaginative life at a moment of profound media change -- not simply through the protagonist and his relationship to romantic fictions but also through the ongoing discussions of books and printing. There are so many ways that this novel can be taught in order to heighten our understanding of the personal and social consequences of changing the way a society receives and conveys information in a way that also opens students up to discuss the world they are entering at our present moment of profound and prolonged media change.]]>
    </content>
</entry>

<entry>
    <title>Learning in a Participatory Culture: A Conversation About New Media and Education (Part One)</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/02/learning-in-a-participatory-cu-1.php" />
    <id>tag:newmedialiteracies.org,2010://12.3702</id>

    <published>2010-02-08T22:46:22Z</published>
    <updated>2010-02-12T23:03:15Z</updated>

    <summary>A few weeks ago, I received a message in the mail from Ariel Glazer at University of Buenos Aires sharing this video, which remixed some footage from the interview I gave to the producers of Digital Nation. In many ways,...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[A few weeks ago, I received a message in the mail from Ariel Glazer at University of Buenos Aires sharing this video, which remixed some footage from the interview I gave to the producers of <em>Digital Nation</em>. In many ways, it captures some of my core themes and concerns better than the PBS documentary and in the process, it helps us make connections with a range of other conversations taking place around the world about New Media Literacies.<br /><br><object width="445" height="364"><param name="movie" value="http://www.youtube.com/v/MmEFefoe-9U&hl=en_US&fs=1&rel=0&color1=0x2b405b&color2=0x6b8ab6&border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/MmEFefoe-9U&hl=en_US&fs=1&rel=0&color1=0x2b405b&color2=0x6b8ab6&border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="445" height="364"></embed></object><br><br />When I taught my New Media Literacies class last semester at USC, I asked my students to interview a student or teacher about the ways that the issues in our class impacted their lives. Because these students came from many different countries, we ended up with glimpses of what was taking in classrooms from the Laplands to India, from Bulgaria to India. In almost every case, the young people interviewed described deeply meaningful forms of learning which were taking place through their engagement with affinity groups and social networks online, yet they each described school practices which shut off that learning once they entered the classroom. The teachers, on the other hand, talked about struggling to keep up with their students, about a lack of formal training to help them make the transitions being demanded, and about their fears of losing control over their classroom.<br /><br /> ]]>
        <![CDATA[I wanted to stress the international nature of these exchanges because this week I am going to be sharing with you an extended interview which I did with Pillar Lacasa, a Spanish researcher, who has spent two blocks of time as a visiting scholar in the Comparative Media Studies Program and whose work has been featured <a href="http://www.henryjenkins.org/2008/03/spanish_classrooms_as_multimed.html">on this blog </a>before. Lacasa is a close friend and she knows enough about my work to ask questions which help position it for readers back in Spain. Since this interview will appear later this week in Spanish in <i><a href="http://www.cuadernosdepedagogia.com/">Cuadernos de Pedagogia</a></i>, I asked her if I could share the original English language version here. I hope that this will be of interest especially to the many parents and educators who read this blog and may represent a response to some of the issues raised in the Digital Nation documentary.<br /><br /><b>Children and young people like to spend their free time in front of the screen. Could you give us some good reasons to that could persuade educators to introduce new media and screens in schools?</b><br /><br />At the end of the day, it isn't about the technology. It certainly isn't about the screen per se. It is about the informational affordances and cultural practices which have taken shape around the computer and other interactive technologies. It isn't about the computer replacing the book. It is about a world where students learn with a book in one hand and a mouse in the other, rather than one where they are taught that book culture is so fragile it needs to be protected from the computer.<br /><br />Jenna McWilliams, until recently, part of our Project NML staff, writes powerfully about reading with a mouse in your hand. She tells us that teachers often encourage students to read with a pencil in their hands -- not simply letting the words pass over their eyeballs but critically engaging with them, taking notes, asking questions, critiquing as they go. When students read with a mouse in their hands, they take this one step further: they assume that they must actively respond to what's been put in front of them; they are poised to participate; they take responsibility over the quality of information and correct it publically if it is wrong.<br /><br />Yochai Benkler, author of The Wealth of Networks, tells us we respond to the culture differently when we see it through the eyes of a participant rather than a consumer. And it is this participatory culture which has been facilitated by the new digital media in a way that stretches far beyond the imagination of previous generations.<br /><br /><b>Reading your book I noticed that you establish an interesting distinction between mass media and technology. How do you understand both of these concepts?</b><br /><br />For me, a medium is more than simply a technology. It also includes the social and cultural practices that have grown up around us. So, when we talk about television, we are not simply talking about an electronic appliance; we are talking about the programming strategies and conventions which have emerged to shape our experience of television and we are referencing the particular mind set that has evolved around watching television often in our homes with little chance of engaging with its contents directly or publically. When we are talking about the internet, we are talking about all of the activities we perform through this new information infrastructure and the mindset which emerges through our ongoing engagement and participation in the great public conversation that emerges through it.<br /><br />Beyond the individual medium there is a media ecology -- all of the different kinds of communications systems which surround us and through which we live our everyday lives. Right now, for example, we inhabit a world where mass media, top down systems of communications, co-exist with grassroots media, which enable much broader opportunities for our participation. We are just starting to understand what happens when these two systems collide.<br /><br /><b>You introduce the idea of a Participatory Culture in relation to new media. Can you explain the relation between the two concepts?</b><br /><br />Participatory culture didn't begin or end with the internet. Most of what I am describing as participatory culture can be found in any thriving folk culture. At its best, a folk culture is defined through the expanding opportunities for participation. Everyone who wants to join is accepted. Everyone who has something to contribute is embraced. Experienced members share what they know through informal mentorship with newcomers because it expands the expressive resources of the community. The exchange of folk artifacts is reciprocal, based on the ideals of a gift economy, rather than hierarchical or commercial.<br /><br />This idea of dispersed expression broke down in the 20th century as most forms of cultural production became professionalized and commercialized. We moved into a world where we consumed but did not produce the resources of our culture -- never totally but largely. Throughout that period, though, there were all kinds of underground and grassroots practices which held onto the idea of shared cultural expression and participation. These practices have re-emerged and gained greater public visibility in the era of Flickr and YouTube.<br /><br />These technologies have brought cultural expression down to a human scale; they have placed the exchange of stories or songs in a social context; and they have opened up a space where all of us can be welcomed as potential participants. All of the research shows that the communities of practice which grow up around this participatory culture are powerful sites of pedagogy, fueled by passion and curiosity and by a desire to share what we learn and think with others. As with older folk cultures, informal pedagogies thrive as people get together to learn based on shared interests rather than fixed roles and responsibilities.<br /><br /><b>Participatory Culture could be relate with a Collective Intelligence as present in the media too?</b><br /><br />In a networked society, literacy is a social skill not simply an individual competency. Understanding how information circulates becomes as important as knowing how to put your ideas into words, sounds, or images. Creation is iterative: we reshape what we've created in response to critical feedback from others in an ongoing process of innovation and refinement.<br /><br />There are new forms of collective authorship which have emerged around principles of collective intelligence. Take Wikipedia for example, where any given entry may have multiple authors, each vetting and refining what was written before, each adding what they know to what others have already contributed. This is different from traditional forms of individual expertise and autonomous learning.<br /><br />Pierre Levy tells us that in a networked society, nobody knows everything (Forget about the ideal of the Renaissance Man), everybody knows something (expand the range of possible expertises) and what any given member of the community knows is available to the group as a whole as needed. The result is an ethics of information -- an obligation to share what you know with the group, a need to respect yet critically engage with multiple ways of knowing, an active push to embrace diversity because it expands the creative and knowledge capacity of your network.<br /><br />We are evolving towards this much more robust information system where groups working together can solve problems that are far more complex than can be confronted by individuals. And schools can actively prepare students for such a world -- by allowing them to develop and refine their individualized expertise, by providing complex problems which require collective effort to resolve, by teaching them the ethics involved in working in such a highly collaborative and open-ended context. Right now, schools are often using group work but not in ways which encourage real collaboration or shared expertise -- in part because they still assume a world where every student knows everything rather than one where different kinds of knowledge come together towards shared ends.<br /><br /><b>The project New Media Literacy relates participation to new forms of literacy?</b><br /><br />What we are proposing is an expanded conception of literacy which includes all of the ways which we communicate our ideas to each other. This concept moves beyond the idea of critical consumption which is often what people call media literacy. You wouldn't consider someone literate if they could read but not write text and we shouldn't consider someone literate if they can consume but not produce media. Over the past fifty years, we have expanded the resources through which humans can communicate with each other, in some cases making tools like video cameras more widely available, and in others creating an infrastructure which allows anyone who goes online a chance to communicate their thoughts to the world.<br /><br />Schools need to prepare young people to use these new resources creatively, effectively, and responsibly if they are going to prepare them for the lives they will lead in the 21st century. Such power can be under-used if they are not taught to use it creatively or effectively; it can be abused if they are not taught to use it responsibly. Teachers need to recognize both the risks and the possibilities of these new opportunities for human expression.]]>
    </content>
</entry>

<entry>
    <title>&quot;Killer Paragraphs&quot; and Other Reflections of PBS&apos;s Digital Nation</title>
    <link rel="alternate" type="text/html" href="http://newmedialiteracies.org/blog/2010/02/killer-paragraphs-and-other-re.php" />
    <id>tag:newmedialiteracies.org,2010://12.3700</id>

    <published>2010-02-03T22:34:25Z</published>
    <updated>2010-02-12T22:44:38Z</updated>

    <summary>This week, PBS stations around the United States are airing Digital Nation, a documentary which claims to offer us insights into life in the digital age. I was happy to participate in this important production, though, I must confess, more...</summary>
    <author>
        <name>Henry Jenkins</name>
        <uri>http://henryjenkins.org/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://newmedialiteracies.org/">
        <![CDATA[This week, PBS stations around the United States are airing Digital Nation, a <a href="http://www.pbs.org/wgbh/pages/frontline/digitalnation/">documentary</a> which claims to offer us insights into life in the digital age. I was happy to participate in this important production, though, I must confess, more than a little disappointed in the finished product. It raises important issues, to be sure, but does so often in a one-sided manner which panders to the biases of public television viewers rather than challenging them to look at the potentials of digital media in education through new lens.<br /><br />What I value from the production is the website which gathers together extensive interviews with key thinkers with a range of views about the value of digital media in education and our everyday life and which has collected the voices of everyday people many of whom share stories of how they have built productive relationships with and through new media technologies and practices. The website allows us to chart our own paths through this debate, to drill much deeper into different points of view, and offers a more balanced picture of the current state of the debate. The website allows us to ask questions, while the television show tells us what to think. Granted it does so in a way that is much more subtle than the typical Fox News scare story, but it is hardly "fair and balanced" either.<br /><br />The existence of the website with so much raw footage alongside the completed documentary offers a unique resource for teaching basic media literacy skills, allowing us to question the choices the filmmakers made, and how various rhetorical devices shape how we respond to the words and images included.<br /><br />]]>
        <![CDATA[<br />All of this points to discussions we should be having, including a 
consideration of the potentials and limits of multitasking and whether 
it is inherently linked to our relations to digital media (or rather an 
artifact of a much longer history of economic and social pressures which
 have resulted in a more demanding and fragmented lifestyle). My one 
comment included in the film centered around the ways that people 
throughout the 20th century saw their lives as disjointed, understood 
their eyes as pulled in many different directions, and worried about 
distractions, yet also developed strategies which allowed them to cope 
with these pressures.<br /><br />One of the passages in the film that 
annoyed me the most was its depiction of contemporary MIT students as 
the advance guard of technological development and yet as somehow 
failing in their classes because of an over-reliance and over-confidence
 in their multitasking skills. I wanted to share some reflections of my 
own perception of the MIT students, given how prominantly Sherry 
Turkle's concerns about these students played in the opening segments of
 Digital Nation. I know Sherry well, I hold her in great affection and 
respect, but on many points here, we've come away with different 
impressions. I should note that I taught at MIT for 20 years, arriving 
there before digital media hit most of the country, and leaving only six
 months ago. I also for 14 years was a housemaster in an MIT dorm so I 
saw these students in the classroom and where they lived.<br /><br />Let me 
start with the concept of "killer paragraphs," a phrase used by one of 
the MIT students to describe his writing. I recognize the point of the 
piece was that they had difficulty connecting paragraphs together to 
form a coherent linear essay. On that point, I think we can all agree. 
But I think the student who described himself as writing "killer 
paragraphs" was getting at something that is easy to ridicule or 
dismiss, yet may be a significant shift in what constitutes good 
writing. The writing of MIT students has to do with the production of 
densely written, carefully argued, powerfully presented, meaningful 
chunks of information. They can and often are really "killer" in that 
they condense together a great deal of information, they have a core 
insight which gets introduced and developed in a half a page to a page 
of prose, and then they move onto something else. It is to the 
traditional college essay what Hemmingway was to Hawthorne. They take 
you through all of the steps of the argument; they support it; they 
anticipate and head off potential criticism; they draw on both the 
readings and their personal experience. <br /><br />Some of the paragraphs make 
you weep for joy. Yet, they have difficulty connecting them together to 
form larger units in part because they learned and rehearsed their 
writing on discussion lists, where they acquired skills at compression 
and where extended development is apt not to be read or dismissed as 
long winded. (Trust me, my own verbosity is often held up to me as a 
reason why I am "not really a blogger.") I am not ready to dismiss this 
as bad writing, but I would work hard to make sure they could create a 
larger framework through which to connect their ideas.<br /><br />The film 
makes the point that they are often multitasking in the classroom and 
that they believe they are better at multitasking than current lab 
research suggests. I certainly encountered situations where most of the 
students had a lap top open in my class. In some cases, they were 
performing quite mundane tasks, such as compiling code, which required 
very little of their attention and would be mind-numbing if performed 
with their full attention. They are multitasking in the same way that a 
faculty colleague would knit during faculty meetings: the actions were 
routinized, most of the time they didn't require much thought, but they 
absorbed a certain amount of nervous energy. I am also reminded of 
Irving Howe's World of Our Fathers which described how factory workers 
in the Lower East Side of New York in the early 20th century would pool 
their money and hire someone to read to them as they did mind-numbing 
labor. We often see such a gesture as the mark of a literate society, 
yet they were also, dare I say it, multitasking, combining two tasks, 
one of which required manual knowledge but not intellectual engagement 
with another that was all brain to keep them stimulated and engaged. We 
might see bringing coding to class as very similar.<br /><br />In some 
other cases, their multitasking is monitorial, they are scanning their 
environment looking for changes in status, much the way the guy who 
works at the desk in my condo keeps his eye on four or five television 
screens to make sure nothing bad happens to the people in the building, 
even as he deals with signing in packages, chatting with residents, and 
doing a range of other tasks. He doesn't need to stare at the screens 
every moment, but he does need to be peripherally aware of what's going 
on there and act when it requires his full attention. One of my concerns
 with the lab based experiments on multitasking is that they assume each
 task is equally critical or that they all require a high level of 
accuracy and attention to detail. Sometimes, all that is needed is a 
quick scan or sweep in between other tasks that demand more focused 
attention. I hope that my lecture is not what is being scanned, but I 
know that the humanities are not always their top priorities and I would
 rather they get some of the content than to skip the class altogether 
when the Institute demands more of them than they can deliver. I've seen
 a student look hopelessly absorbed in their computer work, shift into 
active engagement with a class discussion, make very pertinent comments,
 and then go back to work, just as I've seen exhausted students make a 
great comment and then fall asleep before they heard their classmates 
response. It is not the ideal in either case but sometimes it reflects 
the crunch of a university system which pushes its students to the 
breaking point and beyond, just as adult multitasking is a product of 
unreasonable demands placed on us by current economic practices.<br /><br />Some
 of the students make bad choices and pay the consequences for them. But
 then some of them stay up too late, don't read the assignments, put off
 doing written work, and make a range of other decisions which also 
negatively impact their performance in my classes. The reality is that 
even bright students sometimes make bad choices, and part of our task as
 teachers is to help them to see the consequences of bad choices and 
model more constructive relations with technology.<br /><br />Some of the 
students are indeed engaged in activities which constitute distractions 
from the course work, but before the computer, you would see people 
flipping through textbooks, reading newspapers, doodling, or simply day 
dreaming in class, and the computer simply makes these actions more 
visible to people around them. I am not happy that they are doing these 
things, but as a teacher, it's my job to be more interesting than these 
minor distractions.<br /><br />Most often, they use the computer to take 
notes, to record information that emerges for the class discussion. This
 is a generation that learned its keyboard skills in elementary school 
and often finds penmanship torturous. Why shouldn't they be allowed to 
use the computer to take notes?<br /><br />They might also use the computer 
to draw on information relevant to the discussion. I made a conscious 
strategy of engaging with these aspects of their computer use, posing 
questions for them to look up information online just as I might ask 
them to look up something in a book. I might suggest examples that they 
might want to look at later and they would pull up the links and 
bookmark them for consulting later. They might check me if I was 
struggling for a bit of data and they might propose videos from YouTube 
which helped to illustrate the points we were exploring in the 
discussion. It's hard to call many of these uses multitasking in the 
negative way the film uses the word, because these are very much on task
 and help to reinforce the lessons through alternative media channels 
and help increase curiosity on things they could look at later. Students
 would often look at these book marked materials and send me e-mail 
about them which encouraged us to extend the discussion through another 
channel.<br /><br />The charge that they are multitasking and thus not 
retaining information rings false to me. I have found that MIT students 
have incredible recall -- they can recount point by point details of 
class discussions weeks later. Many of them are very close readers of 
texts, having mastered close reading through their engagement with 
online fan and gamer discussion lists and can apply those skills to a 
range of media artifacts. Many of them are gifted problem solvers and 
brainstormers, having collaborated through social networks and online 
forums for much of their life. They would tackle theories almost as 
engineering problems, breaking them down analytically, resolving 
conflicts and confusions, and putting them back together again. In a 
liberal arts college, students rip into the theories like a pack of 
savage wolves, trying to see who or what will survive their terrorizing,
 but at MIT, students tinker with theories, seeing what each allows them
 to do, looking for their strengths, and then patching together their 
weeknesses, to see if they can build something stronger in their place.<br /><br />As
 someone who lived with MIT students, let me tell you that computers 
have not displaced books. Almost every student has a stack of well loved
 and well worn books in their rooms, alongside their electronic 
computer. In some cases, textbooks, but even there, they were textbooks 
they chose to keep in a world where poor students can quickly sell off 
used textbooks they don't value. Many more of them were literary works 
-- particularly science fiction and fantasy, but also classics from the 
high school lit class, which have continued to speak to them in 
meaningful ways. I've certainly engaged in long conversations with these
 students about the books they read, sometimes well into the night. I 
even remember sitting up one cold December night until dawn taking turns
 reading A Christmas Carol as a group -- a project initiated by the 
students themselves. Unlike some adults I know who want to pit the 
computer against the book, they have no trouble giving both their proper
 respect, using the computer when it seems meaningful to them, reading 
books when it seems the best choice. They do so programatically in 
search of information, but they may also use both as a source of 
pleasure and self reflection. What I saw in the dorm renewed my faith 
that the values of book culture are surviving into the next generation.<br /><br />Yes,
 they often use computers and mobile devices to navigate through the 
day, coordinating their activities with other equally dispersed and 
mobile students. Yes, they sometimes writing emails to people who are 
just across the hall. But they also still hang out in each other's dorm 
rooms and they particularly cluster in the lobbies of dorms to talk with
 each other. Our dorm was a thriving community, a support network for 
its members, a place where a great deal of learning took place through 
conversations, and I worry very little about the social skills of MIT 
students. Our dorm was perhaps the most vital social community I've ever
 been a part of -- and much of this was brought about because 
communication ocurred at multiple levels through a range of 
technologies. Sometimes there were fights through online spaces, but 
rarely were they allowed to fester, because they could always be 
resolved through face to face conversations. And yes, they formed strong
 connections with people they never met face to face -- which expanded 
their social networks, exposed them to new ideas. We also saw students 
who had come to MIT from other parts of the world able to maintain much 
stronger connections with their families and friends back home (or for 
that matter, at other universties around the world.)<br /><br />I know what 
you are going to say -- that these are exceptional students at an elite 
university and not necessarily representative of students around the 
country. I fully agree. But keep in mind that I didn't choose to focus 
on MIT students. The filmmakers did. And they were trying to make the 
claim that MIT looked like where other students would be going in the 
future -- that they illustrated the traits of digital learning pushed to
 an extreme because MIT students are among the early adapters of 
technology and live lives that are more saturated with high tech 
experiences than most students. I am not sure that MIT students are 
really representative of much more than their own local culture and on 
the MIT campus, each dorm constitutes its own distinctive cultural 
community.<br /><br />As someone who works through ethnography, I do not 
necessarily see any group as representative of the national norms. There
 is no one digital culture or digital generation, simply many different 
ways that groups have integrated digital technologies and practices into
 their lives, some rewarding, some potentially destructive, but each 
distinctive. At that point, I see a value in locating problems but I 
also see a value in locating success stories which might provide models 
for building more constructive relationships to technology. The work 
I've been doing for the past five years working on New Media Literacies 
has been to help identify what productive relationships to new media 
look like and to create materials which help teachers and students 
master needed skills. It doesn't assume everything we do online is 
equally valuable to us, but it also doesn't start from the premise, 
seemingly advocated at places in the film, that we should bar the school
 house gates to digital technology. For me, the potentials are much 
greater than the risks. ]]>
    </content>
</entry>

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